Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps

In this paper, I try to understand the polysemic art of displacement which is used in La Marraine du sel: travellings (moving off centre), movements in the past (repressions and returns), role playing between characters (subjects), psycho-analytic displacement. All those ways of art, which make the...

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Main Author: Laurence Giavarini
Format: Article
Language:fra
Published: Groupe de Recherches Interdisciplinaires sur l'Histoire du Littéraire 2014-04-01
Series:Les Dossiers du GRIHL
Subjects:
Online Access:https://journals.openedition.org/dossiersgrihl/5996
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author Laurence Giavarini
author_facet Laurence Giavarini
author_sort Laurence Giavarini
collection DOAJ
description In this paper, I try to understand the polysemic art of displacement which is used in La Marraine du sel: travellings (moving off centre), movements in the past (repressions and returns), role playing between characters (subjects), psycho-analytic displacement. All those ways of art, which make the very sense of humour of the novel, allow me to read it as a modern interpretation of the "diabolic" (a kind of a "tragical story"). It is the way Fourré answers to the surrealistic command of catching the latent content of a time. But this art is probably the only way for the novel's subject to understand his own story.
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series Les Dossiers du GRIHL
spelling doaj-art-bf4271d761e2485aa5c2bb21d07cff702025-08-20T03:07:44ZfraGroupe de Recherches Interdisciplinaires sur l'Histoire du LittéraireLes Dossiers du GRIHL1958-92472014-04-018110.4000/dossiersgrihl.5996Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce tempsLaurence GiavariniIn this paper, I try to understand the polysemic art of displacement which is used in La Marraine du sel: travellings (moving off centre), movements in the past (repressions and returns), role playing between characters (subjects), psycho-analytic displacement. All those ways of art, which make the very sense of humour of the novel, allow me to read it as a modern interpretation of the "diabolic" (a kind of a "tragical story"). It is the way Fourré answers to the surrealistic command of catching the latent content of a time. But this art is probably the only way for the novel's subject to understand his own story.https://journals.openedition.org/dossiersgrihl/5996displacementdiabolic (kind of short story)tragical storyLoudun's possessionRichelieu (the town)subject
spellingShingle Laurence Giavarini
Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
Les Dossiers du GRIHL
displacement
diabolic (kind of short story)
tragical story
Loudun's possession
Richelieu (the town)
subject
title Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
title_full Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
title_fullStr Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
title_full_unstemmed Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
title_short Sujets déplacés à Richelieu. La Marraine du Sel, une histoire tragique de ce temps
title_sort sujets deplaces a richelieu la marraine du sel une histoire tragique de ce temps
topic displacement
diabolic (kind of short story)
tragical story
Loudun's possession
Richelieu (the town)
subject
url https://journals.openedition.org/dossiersgrihl/5996
work_keys_str_mv AT laurencegiavarini sujetsdeplacesarichelieulamarraineduselunehistoiretragiquedecetemps