Aleksandr Bogdanov’s Sociology of the Arts

Aleksandr Bogdanov’s theory of culture has been outlined in a number of key works on his life and work.See Sochor (1998); Mally (1990); White (2019b). The purpose of the present article is to situate his ideas on the social function of the arts within the framework of his theory of culture. I point...

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Main Author: Biggart John
Format: Article
Language:English
Published: Sciendo 2021-12-01
Series:Cultural Science
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Online Access:https://doi.org/10.2478/csj-2021-0018
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author Biggart John
author_facet Biggart John
author_sort Biggart John
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description Aleksandr Bogdanov’s theory of culture has been outlined in a number of key works on his life and work.See Sochor (1998); Mally (1990); White (2019b). The purpose of the present article is to situate his ideas on the social function of the arts within the framework of his theory of culture. I point out that, whereas in his general theory of social consciousness Bogdanov acknowledged his indebtedness to Marx, he considered that in respect of the arts he had improved on Marx, who had viewed the arts as a mere “embellishment of life”. I argue that for Bogdanov, “proletarian culture” was not the working class “mentalité” of his time, but a state of mind that with the assistance of his brainchild, the Proletarian Cultural-Educational Organization, would evolve in the direction of a collectivist, “all-human”, culture. I explain that the didacticism of this approach antagonized a number of writers of proletarian origin. This article is based on works by Bogdanov, few of which have been re-published in post-Soviet Russia and most of which are not available in other languages. It will enable culturologists and other scholars to include Bogdanov in the history of the sociology of the arts, an exercise that has hitherto been impeded by Soviet censorship of his works, under-tuition of the Russian language, and a scarcity of relevant translations.
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spelling doaj-art-bef1bee6a9f64bc6a209ac073dd3f1722025-02-10T13:25:36ZengSciendoCultural Science1836-04162021-12-0113122323810.2478/csj-2021-0018Aleksandr Bogdanov’s Sociology of the ArtsBiggart John0independent scholar, Salford, United KingdomAleksandr Bogdanov’s theory of culture has been outlined in a number of key works on his life and work.See Sochor (1998); Mally (1990); White (2019b). The purpose of the present article is to situate his ideas on the social function of the arts within the framework of his theory of culture. I point out that, whereas in his general theory of social consciousness Bogdanov acknowledged his indebtedness to Marx, he considered that in respect of the arts he had improved on Marx, who had viewed the arts as a mere “embellishment of life”. I argue that for Bogdanov, “proletarian culture” was not the working class “mentalité” of his time, but a state of mind that with the assistance of his brainchild, the Proletarian Cultural-Educational Organization, would evolve in the direction of a collectivist, “all-human”, culture. I explain that the didacticism of this approach antagonized a number of writers of proletarian origin. This article is based on works by Bogdanov, few of which have been re-published in post-Soviet Russia and most of which are not available in other languages. It will enable culturologists and other scholars to include Bogdanov in the history of the sociology of the arts, an exercise that has hitherto been impeded by Soviet censorship of his works, under-tuition of the Russian language, and a scarcity of relevant translations.https://doi.org/10.2478/csj-2021-0018aestheticsarvatovcollectivismhamletmarxmentalité
spellingShingle Biggart John
Aleksandr Bogdanov’s Sociology of the Arts
Cultural Science
aesthetics
arvatov
collectivism
hamlet
marx
mentalité
title Aleksandr Bogdanov’s Sociology of the Arts
title_full Aleksandr Bogdanov’s Sociology of the Arts
title_fullStr Aleksandr Bogdanov’s Sociology of the Arts
title_full_unstemmed Aleksandr Bogdanov’s Sociology of the Arts
title_short Aleksandr Bogdanov’s Sociology of the Arts
title_sort aleksandr bogdanov s sociology of the arts
topic aesthetics
arvatov
collectivism
hamlet
marx
mentalité
url https://doi.org/10.2478/csj-2021-0018
work_keys_str_mv AT biggartjohn aleksandrbogdanovssociologyofthearts