Le patrimoine des écoles d’art aujourd’hui

Interview with Amel Nafti, Managing Director of the école supérieure d’Art et de Design of Grenoble and Valence-ESAD Grenoble Valence since 2018. She mentions her work on the prints and artist’s editions collected and owned by the villa Arson, when she was Head of the Library and then Director of St...

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Main Authors: Amel Nafti, Morwena Joly-Parvex
Format: Article
Language:fra
Published: Ministère de la Culture et de la Communication 2021-01-01
Series:In Situ
Subjects:
Online Access:https://journals.openedition.org/insitu/30272
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author Amel Nafti
Morwena Joly-Parvex
author_facet Amel Nafti
Morwena Joly-Parvex
author_sort Amel Nafti
collection DOAJ
description Interview with Amel Nafti, Managing Director of the école supérieure d’Art et de Design of Grenoble and Valence-ESAD Grenoble Valence since 2018. She mentions her work on the prints and artist’s editions collected and owned by the villa Arson, when she was Head of the Library and then Director of Studies and Research there. Today, she considers that the school history is an integral part of the school plan she is managing. She is coordinating with Pierre Oudart a working group devoted to the history of art schools within the Association of art schools, the ANDEA network.
format Article
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publisher Ministère de la Culture et de la Communication
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series In Situ
spelling doaj-art-bd1a1ae8f6f64e96951b054aa91103282025-08-20T02:21:53ZfraMinistère de la Culture et de la CommunicationIn Situ1630-73052021-01-014310.4000/insitu.30272Le patrimoine des écoles d’art aujourd’huiAmel NaftiMorwena Joly-ParvexInterview with Amel Nafti, Managing Director of the école supérieure d’Art et de Design of Grenoble and Valence-ESAD Grenoble Valence since 2018. She mentions her work on the prints and artist’s editions collected and owned by the villa Arson, when she was Head of the Library and then Director of Studies and Research there. Today, she considers that the school history is an integral part of the school plan she is managing. She is coordinating with Pierre Oudart a working group devoted to the history of art schools within the Association of art schools, the ANDEA network.https://journals.openedition.org/insitu/30272engravingNicearchivescontemporary artstudentsprint
spellingShingle Amel Nafti
Morwena Joly-Parvex
Le patrimoine des écoles d’art aujourd’hui
In Situ
engraving
Nice
archives
contemporary art
students
print
title Le patrimoine des écoles d’art aujourd’hui
title_full Le patrimoine des écoles d’art aujourd’hui
title_fullStr Le patrimoine des écoles d’art aujourd’hui
title_full_unstemmed Le patrimoine des écoles d’art aujourd’hui
title_short Le patrimoine des écoles d’art aujourd’hui
title_sort le patrimoine des ecoles d art aujourd hui
topic engraving
Nice
archives
contemporary art
students
print
url https://journals.openedition.org/insitu/30272
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AT morwenajolyparvex lepatrimoinedesecolesdartaujourdhui