T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose

In the summer of 1939, Tom “Tennessee” Williams painted his first of several self-portraits. The year is significant because it also marked his entrance into the New York theatre world. Though there was little question that Williams would become a playwright, he never abandoned his painting entirely...

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Main Author: John S. BAK
Format: Article
Language:English
Published: Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) 2023-06-01
Series:E-REA
Subjects:
Online Access:https://journals.openedition.org/erea/16509
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author John S. BAK
author_facet John S. BAK
author_sort John S. BAK
collection DOAJ
description In the summer of 1939, Tom “Tennessee” Williams painted his first of several self-portraits. The year is significant because it also marked his entrance into the New York theatre world. Though there was little question that Williams would become a playwright, he never abandoned his painting entirely – or his obsession with self-portraiture. For Williams, traces of his lived experiences can be found in nearly every one of his works, textual and graphic alike. Drawing on Barthes’s theory of the (auto)biographeme and Hall’s sociological study of the self-portrait, this article studies that first graphic self-portrait alongside the many textual self-portraits (memoirs, essays, letters and private notebook entries) that Williams produced in or about 1939 in the aim of demonstrating how, in complementing each other, the graphic and the textual self-portraits document his transformation from Tom into Tennessee.
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spelling doaj-art-bc6e24006988409a82a3cfef0eeb43672025-01-09T12:53:07ZengLaboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)E-REA1638-17182023-06-0120210.4000/erea.16509T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, ProseJohn S. BAKIn the summer of 1939, Tom “Tennessee” Williams painted his first of several self-portraits. The year is significant because it also marked his entrance into the New York theatre world. Though there was little question that Williams would become a playwright, he never abandoned his painting entirely – or his obsession with self-portraiture. For Williams, traces of his lived experiences can be found in nearly every one of his works, textual and graphic alike. Drawing on Barthes’s theory of the (auto)biographeme and Hall’s sociological study of the self-portrait, this article studies that first graphic self-portrait alongside the many textual self-portraits (memoirs, essays, letters and private notebook entries) that Williams produced in or about 1939 in the aim of demonstrating how, in complementing each other, the graphic and the textual self-portraits document his transformation from Tom into Tennessee.https://journals.openedition.org/erea/16509paintingself-portraiturenonfictionTennessee Williams
spellingShingle John S. BAK
T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
E-REA
painting
self-portraiture
nonfiction
Tennessee Williams
title T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
title_full T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
title_fullStr T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
title_full_unstemmed T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
title_short T.W. - Self-Portraits of the Playwright: Tennessee Williams’s Paintings, Poetics, Prose
title_sort t w self portraits of the playwright tennessee williams s paintings poetics prose
topic painting
self-portraiture
nonfiction
Tennessee Williams
url https://journals.openedition.org/erea/16509
work_keys_str_mv AT johnsbak twselfportraitsoftheplaywrighttennesseewilliamsspaintingspoeticsprose