Music in the Year of Truth: A View on the Contribution of Selected Songs to National Unity during the Velvet Revolution in Slovakia

The term Velvet Revolution denotes the events that took place between 16 November and 29 December 1989 and resulted in overthrowing the long-standing communist regime in Czechoslovakia. This historical milestone is often connected with specific symbols, such as the V sign and the jingling of keys, a...

Full description

Saved in:
Bibliographic Details
Main Author: Ščepán Michal
Format: Article
Language:English
Published: Sciendo 2024-12-01
Series:Musicology Today
Subjects:
Online Access:https://doi.org/10.2478/muso-2024-0005
Tags: Add Tag
No Tags, Be the first to tag this record!
Description
Summary:The term Velvet Revolution denotes the events that took place between 16 November and 29 December 1989 and resulted in overthrowing the long-standing communist regime in Czechoslovakia. This historical milestone is often connected with specific symbols, such as the V sign and the jingling of keys, a gesture signifying that the country unlocked its door to the Western world. Music also played an important role during demonstrations in the squares. Alongside political activists and dissidents, several artists representing various genres of pop, folk, and classical music performed there to support the crowds. Some of the songs sung during those revolutionary days were written in the heat of the moment or shortly before. Others were evergreens without political overtones. As a form of protest or an expression of hope for a better future, they all perfectly captured the atmosphere of this final reckoning with totalitarianism. The artistic activities of some of the participating singers had been restricted under communism and their performances had an even greater effect for that reason. At the same time, the involvement of popular artists was risky for them personally because, if the change of regime had failed, it would probably have meant the end of their careers. Regardless of their previous status, the musical pieces they performed became an essential part of the demonstrations.
ISSN:2353-5733