Producing the Popular: John Monk Foster and the ‘Industrial Romance’

This article argues that John Monk Foster’s serialised novel A Pit-Brow Lassie (1889) is an example of the quietist ‘culture of consolation’ which conflates the popular with the commercial and decouples the former from its earlier radical implications. It begins with a brief biographical sketch of M...

Full description

Saved in:
Bibliographic Details
Main Author: Michael Sanders
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2022-03-01
Series:Cahiers Victoriens et Edouardiens
Subjects:
Online Access:https://journals.openedition.org/cve/10937
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1832581324869730304
author Michael Sanders
author_facet Michael Sanders
author_sort Michael Sanders
collection DOAJ
description This article argues that John Monk Foster’s serialised novel A Pit-Brow Lassie (1889) is an example of the quietist ‘culture of consolation’ which conflates the popular with the commercial and decouples the former from its earlier radical implications. It begins with a brief biographical sketch of Monk Foster and his writing career. It then considers the formal pressures associated with serialised newspaper fiction and the kinds of narrative pleasure generated within those constraints. Next, it argues that the narrative structure of A Pit-Brow Lassie displays an uneven and, at times, uneasy combination of elements derived from a variety of genres, as well as demonstrating many features of the folk tale. The article traces the ways in which these structural elements reduce the interpretative work required of the novel’s readers and also considers the novel’s defence of popular fiction. The article argues that despite its resolutely and recognisably proletarian milieu, class conflict is almost entirely absent from A Pit-Brow Lassie which posits instead a cross-class moral code based on the work ethic. The article concludes by analysing the tensions between the novel’s ‘social mobility’ and ‘marriage/happiness’ plots and argues that Monk Foster has to decouple these plots in order to arrive at an ideologically satisfactory happy ending.
format Article
id doaj-art-bbe931592fea40dca619d1d6b2ab8fb6
institution Kabale University
issn 0220-5610
2271-6149
language English
publishDate 2022-03-01
publisher Presses Universitaires de la Méditerranée
record_format Article
series Cahiers Victoriens et Edouardiens
spelling doaj-art-bbe931592fea40dca619d1d6b2ab8fb62025-01-30T10:20:52ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492022-03-019510.4000/cve.10937Producing the Popular: John Monk Foster and the ‘Industrial Romance’Michael SandersThis article argues that John Monk Foster’s serialised novel A Pit-Brow Lassie (1889) is an example of the quietist ‘culture of consolation’ which conflates the popular with the commercial and decouples the former from its earlier radical implications. It begins with a brief biographical sketch of Monk Foster and his writing career. It then considers the formal pressures associated with serialised newspaper fiction and the kinds of narrative pleasure generated within those constraints. Next, it argues that the narrative structure of A Pit-Brow Lassie displays an uneven and, at times, uneasy combination of elements derived from a variety of genres, as well as demonstrating many features of the folk tale. The article traces the ways in which these structural elements reduce the interpretative work required of the novel’s readers and also considers the novel’s defence of popular fiction. The article argues that despite its resolutely and recognisably proletarian milieu, class conflict is almost entirely absent from A Pit-Brow Lassie which posits instead a cross-class moral code based on the work ethic. The article concludes by analysing the tensions between the novel’s ‘social mobility’ and ‘marriage/happiness’ plots and argues that Monk Foster has to decouple these plots in order to arrive at an ideologically satisfactory happy ending.https://journals.openedition.org/cve/10937narrativeclasspopular fictionworking-class writingideologymining
spellingShingle Michael Sanders
Producing the Popular: John Monk Foster and the ‘Industrial Romance’
Cahiers Victoriens et Edouardiens
narrative
class
popular fiction
working-class writing
ideology
mining
title Producing the Popular: John Monk Foster and the ‘Industrial Romance’
title_full Producing the Popular: John Monk Foster and the ‘Industrial Romance’
title_fullStr Producing the Popular: John Monk Foster and the ‘Industrial Romance’
title_full_unstemmed Producing the Popular: John Monk Foster and the ‘Industrial Romance’
title_short Producing the Popular: John Monk Foster and the ‘Industrial Romance’
title_sort producing the popular john monk foster and the industrial romance
topic narrative
class
popular fiction
working-class writing
ideology
mining
url https://journals.openedition.org/cve/10937
work_keys_str_mv AT michaelsanders producingthepopularjohnmonkfosterandtheindustrialromance