Zygonic Theory: Introduction, Scope, and Prospects

This extended article introduces Adam Ockelford’s ‘zygonic’ theory of music-structural understanding, which holds that imitation, which can occur in all domains of perceived sound and at all levels, is the ultimate organising force in music. Hence the theory is potentially of value not only in theor...

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Main Author: Adam Ockelford
Format: Article
Language:deu
Published: Gesellschaft für Musiktheorie (GMTH) 2009-01-01
Series:Zeitschrift der Gesellschaft für Musiktheorie
Subjects:
Online Access:https://storage.gmth.de/zgmth/pdf/400
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author Adam Ockelford
author_facet Adam Ockelford
author_sort Adam Ockelford
collection DOAJ
description This extended article introduces Adam Ockelford’s ‘zygonic’ theory of music-structural understanding, which holds that imitation, which can occur in all domains of perceived sound and at all levels, is the ultimate organising force in music. Hence the theory is potentially of value not only in theoretical terms (shown here in relation to the first movement of Mozart’s Piano Sonata K. 333), but metatheoretically too, as a tool to interrogate other systems of musical analysis (an example is provided in relation to Allan Forte’s ‘set-theoretical’ method). The zygonic approach also enables the powers of influence at work in group improvisation to be captured, permitting the evolution of musical ideas to be charted as they unfold in time between performers, and a zygonic analysis of a short, improvised song with piano accompaniment is provided by way of illustration. Finally, zygonic theory prospectively offers an epistemological link between the sister (though sometimes apparently incompatible) disciplines of music psychology and music theory – an avenue that is explored briefly in conclusion.
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spelling doaj-art-bada4da37b0143a68d4f139e98b5e0f42025-02-02T21:43:03ZdeuGesellschaft für Musiktheorie (GMTH)Zeitschrift der Gesellschaft für Musiktheorie1862-67422009-01-01619117210.31751/400400Zygonic Theory: Introduction, Scope, and ProspectsAdam OckelfordThis extended article introduces Adam Ockelford’s ‘zygonic’ theory of music-structural understanding, which holds that imitation, which can occur in all domains of perceived sound and at all levels, is the ultimate organising force in music. Hence the theory is potentially of value not only in theoretical terms (shown here in relation to the first movement of Mozart’s Piano Sonata K. 333), but metatheoretically too, as a tool to interrogate other systems of musical analysis (an example is provided in relation to Allan Forte’s ‘set-theoretical’ method). The zygonic approach also enables the powers of influence at work in group improvisation to be captured, permitting the evolution of musical ideas to be charted as they unfold in time between performers, and a zygonic analysis of a short, improvised song with piano accompaniment is provided by way of illustration. Finally, zygonic theory prospectively offers an epistemological link between the sister (though sometimes apparently incompatible) disciplines of music psychology and music theory – an avenue that is explored briefly in conclusion.https://storage.gmth.de/zgmth/pdf/400Ludwig van BeethovenHeinrich SchenkerKognitioncognitionWolfgang Amadeus MozartArnold SchönbergLeonard B. MeyerUrsatzJohann Christian BachZygonic theoryAllen ForteFred LerdahlRay JackendoffappoggiaturaVorhaltset theoryZygonicity
spellingShingle Adam Ockelford
Zygonic Theory: Introduction, Scope, and Prospects
Zeitschrift der Gesellschaft für Musiktheorie
Ludwig van Beethoven
Heinrich Schenker
Kognition
cognition
Wolfgang Amadeus Mozart
Arnold Schönberg
Leonard B. Meyer
Ursatz
Johann Christian Bach
Zygonic theory
Allen Forte
Fred Lerdahl
Ray Jackendoff
appoggiatura
Vorhalt
set theory
Zygonicity
title Zygonic Theory: Introduction, Scope, and Prospects
title_full Zygonic Theory: Introduction, Scope, and Prospects
title_fullStr Zygonic Theory: Introduction, Scope, and Prospects
title_full_unstemmed Zygonic Theory: Introduction, Scope, and Prospects
title_short Zygonic Theory: Introduction, Scope, and Prospects
title_sort zygonic theory introduction scope and prospects
topic Ludwig van Beethoven
Heinrich Schenker
Kognition
cognition
Wolfgang Amadeus Mozart
Arnold Schönberg
Leonard B. Meyer
Ursatz
Johann Christian Bach
Zygonic theory
Allen Forte
Fred Lerdahl
Ray Jackendoff
appoggiatura
Vorhalt
set theory
Zygonicity
url https://storage.gmth.de/zgmth/pdf/400
work_keys_str_mv AT adamockelford zygonictheoryintroductionscopeandprospects