Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity

This research aims to contribute to the current field of architectural design by offering evidence of how a collaborative and embodied approach to soft architecture can inform a new physical-digital design process. Current design technologies (e.g. sensors, 3D scanners, procedural modelling softwar...

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Main Authors: Marina Castán, Daniel Suárez
Format: Article
Language:Catalan
Published: Elisava Barcelona School of Design and Engineering 2018-10-01
Series:Temes de Disseny
Subjects:
Online Access:https://192.168.73.126/index.php/Temes/article/view/417780
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author Marina Castán
Daniel Suárez
author_facet Marina Castán
Daniel Suárez
author_sort Marina Castán
collection DOAJ
description This research aims to contribute to the current field of architectural design by offering evidence of how a collaborative and embodied approach to soft architecture can inform a new physical-digital design process. Current design technologies (e.g. sensors, 3D scanners, procedural modelling software), together with the use of the body as a source for designing a space, offer new methods and tools for designing architecture (Hirschberg, Sayegh, Frühwirth and Zedlacher 2006). However, the potential for experiencing and digitally capturing a soft and elastic material interaction through the body as a dynamic system capable of informing soft architectural design has not yet been widely explored. By using the felt experience as a tool for design, we allow the material to express its qualities when activated by the body, revealing its form instead of it being imposed from outside (DeLanda 2015). Taking an embodied approach used in interaction design and fashion design (Loke and Robertson 2011; Wilde, Vallgårda, and Tomico 2017), this research proposes a hybrid method to explore a textile-body ontology as an entity that has the potential to design a space, along with the use of motion capture technology in an effort to re-connect the experiential (the body) with the architecture (the space). Through a custom-made interface, made of soft and hard materials, we explored the dynamic and spatial qualities of material elasticity through choreographed body movements. The interface acts as a deformable space that can be shaped by the body, producing a collection of form expressions, ranging from subtle surface modifications to more prominent deformations. Such form-giving processes were captured in real time by three Kinect sensors, offering a distinct digital raw material that can be conveniently manipulated and translated into architectural simulations, validating the method as a new way to inform soft architectural design processes. The findings showed that: 1) the direct experience of collaboratively interacting with a soft and elastic interface allows the identification of the dynamic qualities of the material in relation to oneself and others, facilitating an immediate spatial meaning-making process; 2) exploring the design of a soft and elastic space through choreography and motion capture technology contributes to the creation of augmented relational scales across physical and digital realms, proposing a new hybrid design method; 3) the soft and elastic interface becomes a new entity when shaped by the body (textile-body ontology) giving the opportunity for a variety of formal expressions and offering a source of digital raw material for architectural design.
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spelling doaj-art-b9cf0dad416b4c2fbda03cc9be80e3922025-08-20T03:47:07ZcatElisava Barcelona School of Design and EngineeringTemes de Disseny2604-91552604-60322018-10-0134Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticityMarina Castán0Daniel Suárez1Royal College of ArtBerlin University of Arts This research aims to contribute to the current field of architectural design by offering evidence of how a collaborative and embodied approach to soft architecture can inform a new physical-digital design process. Current design technologies (e.g. sensors, 3D scanners, procedural modelling software), together with the use of the body as a source for designing a space, offer new methods and tools for designing architecture (Hirschberg, Sayegh, Frühwirth and Zedlacher 2006). However, the potential for experiencing and digitally capturing a soft and elastic material interaction through the body as a dynamic system capable of informing soft architectural design has not yet been widely explored. By using the felt experience as a tool for design, we allow the material to express its qualities when activated by the body, revealing its form instead of it being imposed from outside (DeLanda 2015). Taking an embodied approach used in interaction design and fashion design (Loke and Robertson 2011; Wilde, Vallgårda, and Tomico 2017), this research proposes a hybrid method to explore a textile-body ontology as an entity that has the potential to design a space, along with the use of motion capture technology in an effort to re-connect the experiential (the body) with the architecture (the space). Through a custom-made interface, made of soft and hard materials, we explored the dynamic and spatial qualities of material elasticity through choreographed body movements. The interface acts as a deformable space that can be shaped by the body, producing a collection of form expressions, ranging from subtle surface modifications to more prominent deformations. Such form-giving processes were captured in real time by three Kinect sensors, offering a distinct digital raw material that can be conveniently manipulated and translated into architectural simulations, validating the method as a new way to inform soft architectural design processes. The findings showed that: 1) the direct experience of collaboratively interacting with a soft and elastic interface allows the identification of the dynamic qualities of the material in relation to oneself and others, facilitating an immediate spatial meaning-making process; 2) exploring the design of a soft and elastic space through choreography and motion capture technology contributes to the creation of augmented relational scales across physical and digital realms, proposing a new hybrid design method; 3) the soft and elastic interface becomes a new entity when shaped by the body (textile-body ontology) giving the opportunity for a variety of formal expressions and offering a source of digital raw material for architectural design. https://192.168.73.126/index.php/Temes/article/view/417780choreographyembodied interactionsoft interfaceelasticityarchitecturemotion capture technology
spellingShingle Marina Castán
Daniel Suárez
Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
Temes de Disseny
choreography
embodied interaction
soft interface
elasticity
architecture
motion capture technology
title Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
title_full Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
title_fullStr Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
title_full_unstemmed Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
title_short Choreographed Soft Morphologies: exploring new ways of ideating soft architecture through material elasticity
title_sort choreographed soft morphologies exploring new ways of ideating soft architecture through material elasticity
topic choreography
embodied interaction
soft interface
elasticity
architecture
motion capture technology
url https://192.168.73.126/index.php/Temes/article/view/417780
work_keys_str_mv AT marinacastan choreographedsoftmorphologiesexploringnewwaysofideatingsoftarchitecturethroughmaterialelasticity
AT danielsuarez choreographedsoftmorphologiesexploringnewwaysofideatingsoftarchitecturethroughmaterialelasticity