Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel

The sociological study of commonalities between professional wrestling and heavy metal music seems intuitive. Both are considered loud, flashy, and aggressively macho. Both have seen an explosion of critical academic analysis in the last decade. Both are perfect embodiments of what Barthes (1956) ca...

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Main Author: Cenate Pruitt
Format: Article
Language:English
Published: Kennesaw State University 2019-10-01
Series:Journal of Public and Professional Sociology
Online Access:https://digitalcommons.kennesaw.edu/jpps/vol11/iss2/1/
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author Cenate Pruitt
author_facet Cenate Pruitt
author_sort Cenate Pruitt
collection DOAJ
description The sociological study of commonalities between professional wrestling and heavy metal music seems intuitive. Both are considered loud, flashy, and aggressively macho. Both have seen an explosion of critical academic analysis in the last decade. Both are perfect embodiments of what Barthes (1956) called “the spectacle of excess”. And yet, no academic research has explicitly brought the two together until now. This article serves as a beachhead, to first establish commonalities between the two forms, and then to explore the specific ways in which heavy metal culture has both infiltrated and been co-opted by mainstream American professional wrestling in the modern era (1985-present). By exploring successful and failed attempts to marry metal and wrestling, I argue that the heightened sense of authenticity central to both heavy metal and professional wrestling makes seemingly obvious cross-promotions difficult to achieve.
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record_format Article
series Journal of Public and Professional Sociology
spelling doaj-art-b966078f5ab94a55a1df7cddc1e4dbb42025-08-20T03:29:02ZengKennesaw State UniversityJournal of Public and Professional Sociology2154-89352019-10-01111Get In The Ring: Professional Wrestling and Heavy Metal Music in ParallelCenate Pruitt0University of North GeorgiaThe sociological study of commonalities between professional wrestling and heavy metal music seems intuitive. Both are considered loud, flashy, and aggressively macho. Both have seen an explosion of critical academic analysis in the last decade. Both are perfect embodiments of what Barthes (1956) called “the spectacle of excess”. And yet, no academic research has explicitly brought the two together until now. This article serves as a beachhead, to first establish commonalities between the two forms, and then to explore the specific ways in which heavy metal culture has both infiltrated and been co-opted by mainstream American professional wrestling in the modern era (1985-present). By exploring successful and failed attempts to marry metal and wrestling, I argue that the heightened sense of authenticity central to both heavy metal and professional wrestling makes seemingly obvious cross-promotions difficult to achieve.https://digitalcommons.kennesaw.edu/jpps/vol11/iss2/1/
spellingShingle Cenate Pruitt
Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
Journal of Public and Professional Sociology
title Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
title_full Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
title_fullStr Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
title_full_unstemmed Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
title_short Get In The Ring: Professional Wrestling and Heavy Metal Music in Parallel
title_sort get in the ring professional wrestling and heavy metal music in parallel
url https://digitalcommons.kennesaw.edu/jpps/vol11/iss2/1/
work_keys_str_mv AT cenatepruitt getintheringprofessionalwrestlingandheavymetalmusicinparallel