Hermetische Körper

The work of Gustav Meyrink (1868-1932) can be defined by a life-long engagement with a great number of esoteric movements of his age, from Theosophy through Christian mysticism, then diverse ascetic and ecstatic practices to Indian Yoga. In this paper, I show how Meyrink’s Occultism and his literary...

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Main Author: Elena Fabietti
Format: Article
Language:deu
Published: Presses universitaires de Strasbourg 2024-07-01
Series:Recherches Germaniques
Subjects:
Online Access:https://journals.openedition.org/rg/11690
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author Elena Fabietti
author_facet Elena Fabietti
author_sort Elena Fabietti
collection DOAJ
description The work of Gustav Meyrink (1868-1932) can be defined by a life-long engagement with a great number of esoteric movements of his age, from Theosophy through Christian mysticism, then diverse ascetic and ecstatic practices to Indian Yoga. In this paper, I show how Meyrink’s Occultism and his literary praxis are involved in a productive reciprocal exchange that can serve more broadly as a paradigmatic example of a modernist “naturalization of art” within the constellation of “occulture” around 1900. Meyrink’s artistic praxis reverses the traditional relation between art and nature: his literary production is not just inspired by Esotericism and its themes but constitutes one of the many bodily and ritual practices that characterize his engagement with the culture of Esotericism.
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institution Kabale University
issn 0399-1989
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language deu
publishDate 2024-07-01
publisher Presses universitaires de Strasbourg
record_format Article
series Recherches Germaniques
spelling doaj-art-b8f64218e3c34ba992d4ee14a168d0e12025-01-10T14:27:33ZdeuPresses universitaires de StrasbourgRecherches Germaniques0399-19892649-860X2024-07-0119678510.4000/11uztHermetische KörperElena FabiettiThe work of Gustav Meyrink (1868-1932) can be defined by a life-long engagement with a great number of esoteric movements of his age, from Theosophy through Christian mysticism, then diverse ascetic and ecstatic practices to Indian Yoga. In this paper, I show how Meyrink’s Occultism and his literary praxis are involved in a productive reciprocal exchange that can serve more broadly as a paradigmatic example of a modernist “naturalization of art” within the constellation of “occulture” around 1900. Meyrink’s artistic praxis reverses the traditional relation between art and nature: his literary production is not just inspired by Esotericism and its themes but constitutes one of the many bodily and ritual practices that characterize his engagement with the culture of Esotericism.https://journals.openedition.org/rg/11690occultismhermeticismbodyyogawriting scene
spellingShingle Elena Fabietti
Hermetische Körper
Recherches Germaniques
occultism
hermeticism
body
yoga
writing scene
title Hermetische Körper
title_full Hermetische Körper
title_fullStr Hermetische Körper
title_full_unstemmed Hermetische Körper
title_short Hermetische Körper
title_sort hermetische korper
topic occultism
hermeticism
body
yoga
writing scene
url https://journals.openedition.org/rg/11690
work_keys_str_mv AT elenafabietti hermetischekorper