Do Not Tape Over: AIDS Activist Videos in the United Kingdom

This article presents a selection of AIDS activist videos to explore the impact of HIV/AIDS on activist methods and artistic production in Britain in the 1980s and early 1990s. It attempts to redress a gap in the history of moving-image production and distribution in the United Kingdom by tho...

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Main Author: Ed Webb-Ingall
Format: Article
Language:English
Published: Yale University 2025-07-01
Series:British Art Studies
Online Access:https://britishartstudies.ac.uk/issues/27/aids-activist-videos/
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author Ed Webb-Ingall
author_facet Ed Webb-Ingall
author_sort Ed Webb-Ingall
collection DOAJ
description This article presents a selection of AIDS activist videos to explore the impact of HIV/AIDS on activist methods and artistic production in Britain in the 1980s and early 1990s. It attempts to redress a gap in the history of moving-image production and distribution in the United Kingdom by those who were impacted by HIV/AIDS. It shows that AIDS activist videos employed a multiplicity of approaches to production and distribution, each responding to a specific context or subject position. It explores how such films were made in the context of failures of representation, and an absence of self-expression, in mainstream media; and identifies key differences between AIDS activist production and distribution in the United Kingdom and the United States.
format Article
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spelling doaj-art-b874e01c039b40639b1f904845edf6742025-08-20T03:14:05ZengYale UniversityBritish Art Studies2058-54622025-07-012710.17658/issn.2058-5462/issue-27/ewebbingallDo Not Tape Over: AIDS Activist Videos in the United KingdomEd Webb-Ingall0London College of Communication, University of the Arts London This article presents a selection of AIDS activist videos to explore the impact of HIV/AIDS on activist methods and artistic production in Britain in the 1980s and early 1990s. It attempts to redress a gap in the history of moving-image production and distribution in the United Kingdom by those who were impacted by HIV/AIDS. It shows that AIDS activist videos employed a multiplicity of approaches to production and distribution, each responding to a specific context or subject position. It explores how such films were made in the context of failures of representation, and an absence of self-expression, in mainstream media; and identifies key differences between AIDS activist production and distribution in the United Kingdom and the United States. https://britishartstudies.ac.uk/issues/27/aids-activist-videos/
spellingShingle Ed Webb-Ingall
Do Not Tape Over: AIDS Activist Videos in the United Kingdom
British Art Studies
title Do Not Tape Over: AIDS Activist Videos in the United Kingdom
title_full Do Not Tape Over: AIDS Activist Videos in the United Kingdom
title_fullStr Do Not Tape Over: AIDS Activist Videos in the United Kingdom
title_full_unstemmed Do Not Tape Over: AIDS Activist Videos in the United Kingdom
title_short Do Not Tape Over: AIDS Activist Videos in the United Kingdom
title_sort do not tape over aids activist videos in the united kingdom
url https://britishartstudies.ac.uk/issues/27/aids-activist-videos/
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