‘For God’s Sake Look at This!’: Physiognomy in Bleak House
This essay hopes to add to the impressive array of criticism and scholarship about the ’science’ of physiognomy, derived from Lavater, in Dickens, focussing chiefly on its role in Bleak House. I survey the successful observers of physiognomy in the novel, such as Esther and Woodcourt, and what they...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2019-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
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| Online Access: | https://journals.openedition.org/cve/6255 |
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| author | Michael Hollington |
| author_facet | Michael Hollington |
| author_sort | Michael Hollington |
| collection | DOAJ |
| description | This essay hopes to add to the impressive array of criticism and scholarship about the ’science’ of physiognomy, derived from Lavater, in Dickens, focussing chiefly on its role in Bleak House. I survey the successful observers of physiognomy in the novel, such as Esther and Woodcourt, and what they observe—not just faces but ’manner’ or ’body language.’ I also explore the physiognomy of things, as this builds into a formidable indictment of the face of Victorian society. |
| format | Article |
| id | doaj-art-b84fba1267414fd5babc9f41de58b018 |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2019-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-b84fba1267414fd5babc9f41de58b0182025-01-30T10:22:25ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492019-12-019010.4000/cve.6255‘For God’s Sake Look at This!’: Physiognomy in Bleak HouseMichael HollingtonThis essay hopes to add to the impressive array of criticism and scholarship about the ’science’ of physiognomy, derived from Lavater, in Dickens, focussing chiefly on its role in Bleak House. I survey the successful observers of physiognomy in the novel, such as Esther and Woodcourt, and what they observe—not just faces but ’manner’ or ’body language.’ I also explore the physiognomy of things, as this builds into a formidable indictment of the face of Victorian society.https://journals.openedition.org/cve/6255Dickens (Charles)physiognomyLavater (Johann Kaspar)body LanguageBleak House |
| spellingShingle | Michael Hollington ‘For God’s Sake Look at This!’: Physiognomy in Bleak House Cahiers Victoriens et Edouardiens Dickens (Charles) physiognomy Lavater (Johann Kaspar) body Language Bleak House |
| title | ‘For God’s Sake Look at This!’: Physiognomy in Bleak House |
| title_full | ‘For God’s Sake Look at This!’: Physiognomy in Bleak House |
| title_fullStr | ‘For God’s Sake Look at This!’: Physiognomy in Bleak House |
| title_full_unstemmed | ‘For God’s Sake Look at This!’: Physiognomy in Bleak House |
| title_short | ‘For God’s Sake Look at This!’: Physiognomy in Bleak House |
| title_sort | for god s sake look at this physiognomy in bleak house |
| topic | Dickens (Charles) physiognomy Lavater (Johann Kaspar) body Language Bleak House |
| url | https://journals.openedition.org/cve/6255 |
| work_keys_str_mv | AT michaelhollington forgodssakelookatthisphysiognomyinbleakhouse |