Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone

Poverty was certainly part of the Anglo-Saxon experience. In the literary corpus, there are several hints which prove that it was  considered one of those very hard physical and psychological tests – such as extreme cold, pain, illness, old age, solitude, exile – men happen to face in their lifetim...

Full description

Saved in:
Bibliographic Details
Main Author: Carla Cucina
Format: Article
Language:deu
Published: Ledizioni 2024-09-01
Series:Filologia Germanica
Online Access:https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2564
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849317370631290880
author Carla Cucina
author_facet Carla Cucina
author_sort Carla Cucina
collection DOAJ
description Poverty was certainly part of the Anglo-Saxon experience. In the literary corpus, there are several hints which prove that it was  considered one of those very hard physical and psychological tests – such as extreme cold, pain, illness, old age, solitude, exile – men happen to face in their lifetime. Christian perspective intervenes in turning the moral perception of wealth vs. poverty upside down, with material values superseded by the spiritual acceptance of the model of Christ, who chose to stand on the beggar’s side. Through the doctrine of charity, the idea that the rich man has to give to the poor a portion of his possessions – since ultimately these are on loan from God – makes its way into society, so that a new and basically penitential carrying out of the traditional gifstol power system emerges. The purpose of this essay is to select from the corpus of Old English poetry significant examples both of paupertas cum Petro (i.e. poverty voluntarily chosen as a devotional form of life) and of paupertas cum Lazaro (i.e. indigence suffered as a permanent or occasional condition), as well as to find poetic evidence for the Christian idea that, since earthly wealth is granted by God, it has to be generously distributed by the wealthy men in the form of alms, which become the safest way for them to save their own soul. By reading the poetic corpus and also by taking into account some significant interactions of thought with and verbal echoes of both the homiletic tradition and the relevant Latin sources, the present analysis demonstrates that a wide range of types or aspects of poverty are represented in Old English poetry. Moreover, it shows that the material and psychological effects of poverty – even if the Anglo-Saxons certainly had no social conscience in the modern sense – were especially moving for authors, particularly when they could draw on the so-called “elegiac” set of topoi, such as precariousness, exile, loss, separation, solitude.
format Article
id doaj-art-b78737843ff74db4865919cfbdde75e7
institution Kabale University
issn 2036-8992
language deu
publishDate 2024-09-01
publisher Ledizioni
record_format Article
series Filologia Germanica
spelling doaj-art-b78737843ff74db4865919cfbdde75e72025-08-20T03:51:13ZdeuLedizioniFilologia Germanica2036-89922024-09-011010.14672/fg.v10i.2564Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassoneCarla Cucina0Dipartimento di Studi umanistici – lingue, mediazione, storia, lettere, filosofia, Università di Macerata, Italia. Poverty was certainly part of the Anglo-Saxon experience. In the literary corpus, there are several hints which prove that it was  considered one of those very hard physical and psychological tests – such as extreme cold, pain, illness, old age, solitude, exile – men happen to face in their lifetime. Christian perspective intervenes in turning the moral perception of wealth vs. poverty upside down, with material values superseded by the spiritual acceptance of the model of Christ, who chose to stand on the beggar’s side. Through the doctrine of charity, the idea that the rich man has to give to the poor a portion of his possessions – since ultimately these are on loan from God – makes its way into society, so that a new and basically penitential carrying out of the traditional gifstol power system emerges. The purpose of this essay is to select from the corpus of Old English poetry significant examples both of paupertas cum Petro (i.e. poverty voluntarily chosen as a devotional form of life) and of paupertas cum Lazaro (i.e. indigence suffered as a permanent or occasional condition), as well as to find poetic evidence for the Christian idea that, since earthly wealth is granted by God, it has to be generously distributed by the wealthy men in the form of alms, which become the safest way for them to save their own soul. By reading the poetic corpus and also by taking into account some significant interactions of thought with and verbal echoes of both the homiletic tradition and the relevant Latin sources, the present analysis demonstrates that a wide range of types or aspects of poverty are represented in Old English poetry. Moreover, it shows that the material and psychological effects of poverty – even if the Anglo-Saxons certainly had no social conscience in the modern sense – were especially moving for authors, particularly when they could draw on the so-called “elegiac” set of topoi, such as precariousness, exile, loss, separation, solitude. https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2564
spellingShingle Carla Cucina
Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
Filologia Germanica
title Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
title_full Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
title_fullStr Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
title_full_unstemmed Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
title_short Mid þearfum wædum. Rappresentare la povertà nella poesia anglosassone
title_sort mid thearfum waedum rappresentare la poverta nella poesia anglosassone
url https://www.ledijournals.com/ojs/index.php/filologiagermanica/article/view/2564
work_keys_str_mv AT carlacucina midþearfumwædumrappresentarelapovertanellapoesiaanglosassone