Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)

In Vivienne Franzmann’s Pests (Clean Break, 2014), two rat-women scamper around a putrefied “nest” of rotting mattresses. Written following residencies in women’s prisons, Franzmann intended Pests to raise awareness on what imprisoned women frequently report as part of their lived experience: povert...

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Main Author: Molly McPhee
Format: Article
Language:fra
Published: UMR 1563 « Ambiances Architectures Urbanités » 2020-12-01
Series:Ambiances
Subjects:
Online Access:https://journals.openedition.org/ambiances/3698
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author Molly McPhee
author_facet Molly McPhee
author_sort Molly McPhee
collection DOAJ
description In Vivienne Franzmann’s Pests (Clean Break, 2014), two rat-women scamper around a putrefied “nest” of rotting mattresses. Written following residencies in women’s prisons, Franzmann intended Pests to raise awareness on what imprisoned women frequently report as part of their lived experience: poverty; domestic violence and sexual assault; and childhoods spent in care. “It is brutal, but it is authentic,” she says (Gentleman, 2014). The aftermath of prison becomes, in the carceral imaginary of Pests, intertwined with waste, disease and animality. In this, I suggest, it performs a miasma of dispossession and social exclusion. In this article I explore Pests as an example of what I call miasmatic performance. I investigate the aesthetics and politics of carceral atmospherics produced by this theatre, thinking through how they both elicit, and simultaneously confound, a collective desire to attribute a clear function to prison in society.
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language fra
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publisher UMR 1563 « Ambiances Architectures Urbanités »
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series Ambiances
spelling doaj-art-b67fb53f30834665b7c4870e6659919a2025-01-13T16:06:16ZfraUMR 1563 « Ambiances Architectures Urbanités »Ambiances2266-839X2020-12-01610.4000/ambiances.3698Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)Molly McPheeIn Vivienne Franzmann’s Pests (Clean Break, 2014), two rat-women scamper around a putrefied “nest” of rotting mattresses. Written following residencies in women’s prisons, Franzmann intended Pests to raise awareness on what imprisoned women frequently report as part of their lived experience: poverty; domestic violence and sexual assault; and childhoods spent in care. “It is brutal, but it is authentic,” she says (Gentleman, 2014). The aftermath of prison becomes, in the carceral imaginary of Pests, intertwined with waste, disease and animality. In this, I suggest, it performs a miasma of dispossession and social exclusion. In this article I explore Pests as an example of what I call miasmatic performance. I investigate the aesthetics and politics of carceral atmospherics produced by this theatre, thinking through how they both elicit, and simultaneously confound, a collective desire to attribute a clear function to prison in society.https://journals.openedition.org/ambiances/3698atmospherecarceralityprison theatredecomposition
spellingShingle Molly McPhee
Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
Ambiances
atmosphere
carcerality
prison theatre
decomposition
title Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
title_full Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
title_fullStr Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
title_full_unstemmed Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
title_short Miasmas in the theatre: Encountering carceral atmospherics in Pests (2014)
title_sort miasmas in the theatre encountering carceral atmospherics in pests 2014
topic atmosphere
carcerality
prison theatre
decomposition
url https://journals.openedition.org/ambiances/3698
work_keys_str_mv AT mollymcphee miasmasinthetheatreencounteringcarceralatmosphericsinpests2014