De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili
This article reflects on how Chilean theater represents contemporary political demands, taking the example of three plays created shortly before the estallido of 2019: Mateluna by Guillermo Calderón (2016), Trewa by Paola González (2019) and Irán #3037 by Patricia Artés (2019). Even if they are root...
Saved in:
| Main Author: | Célia Jésupret |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Institut des Amériques
2023-03-01
|
| Series: | IdeAs |
| Subjects: | |
| Online Access: | https://journals.openedition.org/ideas/14955 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
« Faire public au théâtre aujourd’hui »
by: Dominique Pasquier
Published: (2017-12-01) -
Nouvelles écritures dramatiques au Mexique : les politicités du théâtre documentaire
by: Lîlâ Bisiaux
Published: (2023-03-01) -
Les étudiants indigènes dans l’enseignement supérieur au Chili
by: María Elena González Plitt
Published: (2008-10-01) -
La constitution d’une élite républicaine au Chili : un engagement au service de l’Etat
by: Nathalie Jammet
Published: (2010-10-01) -
Voyage à huis clos
by: Caroline Antoine
Published: (2022-03-01)