De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili
This article reflects on how Chilean theater represents contemporary political demands, taking the example of three plays created shortly before the estallido of 2019: Mateluna by Guillermo Calderón (2016), Trewa by Paola González (2019) and Irán #3037 by Patricia Artés (2019). Even if they are root...
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| Language: | English |
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Institut des Amériques
2023-03-01
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| Online Access: | https://journals.openedition.org/ideas/14955 |
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| _version_ | 1849736772346445824 |
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| author | Célia Jésupret |
| author_facet | Célia Jésupret |
| author_sort | Célia Jésupret |
| collection | DOAJ |
| description | This article reflects on how Chilean theater represents contemporary political demands, taking the example of three plays created shortly before the estallido of 2019: Mateluna by Guillermo Calderón (2016), Trewa by Paola González (2019) and Irán #3037 by Patricia Artés (2019). Even if they are rooted in the reality and make a great use of documents and archives, these plays set up compositions that leave room for fiction, and whose stories unfold in the intimacy of small human groups: a family, a group of friends, a theater company. Therefore, they create a kind of micropolitics where emotions, dreams, testimony and sometimes autofiction serve as a support for the formulation of claims that will then go beyond the walls of the theater. |
| format | Article |
| id | doaj-art-b35b0d0e3fff4e4db38bd31d60bbed26 |
| institution | DOAJ |
| issn | 1950-5701 |
| language | English |
| publishDate | 2023-03-01 |
| publisher | Institut des Amériques |
| record_format | Article |
| series | IdeAs |
| spelling | doaj-art-b35b0d0e3fff4e4db38bd31d60bbed262025-08-20T03:07:10ZengInstitut des AmériquesIdeAs1950-57012023-03-012110.4000/ideas.14955De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au ChiliCélia JésupretThis article reflects on how Chilean theater represents contemporary political demands, taking the example of three plays created shortly before the estallido of 2019: Mateluna by Guillermo Calderón (2016), Trewa by Paola González (2019) and Irán #3037 by Patricia Artés (2019). Even if they are rooted in the reality and make a great use of documents and archives, these plays set up compositions that leave room for fiction, and whose stories unfold in the intimacy of small human groups: a family, a group of friends, a theater company. Therefore, they create a kind of micropolitics where emotions, dreams, testimony and sometimes autofiction serve as a support for the formulation of claims that will then go beyond the walls of the theater.https://journals.openedition.org/ideas/14955Chilefictionactivist theatredocumentary aestheticsclosed doors |
| spellingShingle | Célia Jésupret De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili IdeAs Chile fiction activist theatre documentary aesthetics closed doors |
| title | De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili |
| title_full | De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili |
| title_fullStr | De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili |
| title_full_unstemmed | De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili |
| title_short | De la « casa segura » au slogan : dramaturgies en huis-clos et injustices politiques au Chili |
| title_sort | de la casa segura au slogan dramaturgies en huis clos et injustices politiques au chili |
| topic | Chile fiction activist theatre documentary aesthetics closed doors |
| url | https://journals.openedition.org/ideas/14955 |
| work_keys_str_mv | AT celiajesupret delacasaseguraauslogandramaturgiesenhuisclosetinjusticespolitiquesauchili |