« Writing into a Void » : Charles Bukowski and the Little Magazines

The little magazines were instrumental in turning Charles Bukowski into a hugely popular figure in American letters and, yet, their significance in Bukowski’s early career has been largely overlooked. For Bukowski, the little magazines were the ideal outlet for his prolific output, and their editors...

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Main Author: Abel Debritto
Format: Article
Language:English
Published: European Association for American Studies 2012-04-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/9823
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author Abel Debritto
author_facet Abel Debritto
author_sort Abel Debritto
collection DOAJ
description The little magazines were instrumental in turning Charles Bukowski into a hugely popular figure in American letters and, yet, their significance in Bukowski’s early career has been largely overlooked. For Bukowski, the little magazines were the ideal outlet for his prolific output, and their editors, who saw him as a spiritual leader, championed his work so vehemently that he eventually became the most published author of the 1960s––his indisputable rise to fame in the alternative literary scene is displayed in the graphs provided. Bukowski’s position was ambiguous: he needed those periodicals to satisfy his hunger for exposure and recognition and, yet, he attacked their editors for their allegedly unskillful productions, especially in the case of the mimeographs. This previously uncharted territory is illustrated by means of a critical and historical journey through the main magazines of the period, stressing how zealously they published Bukowski’s work and helped him become an international icon.
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spelling doaj-art-b292d44914294b159794e563060e1a4d2025-01-06T09:10:29ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362012-04-017110.4000/ejas.9823« Writing into a Void » : Charles Bukowski and the Little MagazinesAbel DebrittoThe little magazines were instrumental in turning Charles Bukowski into a hugely popular figure in American letters and, yet, their significance in Bukowski’s early career has been largely overlooked. For Bukowski, the little magazines were the ideal outlet for his prolific output, and their editors, who saw him as a spiritual leader, championed his work so vehemently that he eventually became the most published author of the 1960s––his indisputable rise to fame in the alternative literary scene is displayed in the graphs provided. Bukowski’s position was ambiguous: he needed those periodicals to satisfy his hunger for exposure and recognition and, yet, he attacked their editors for their allegedly unskillful productions, especially in the case of the mimeographs. This previously uncharted territory is illustrated by means of a critical and historical journey through the main magazines of the period, stressing how zealously they published Bukowski’s work and helped him become an international icon.https://journals.openedition.org/ejas/9823Charles Bukowskiperiodicalslittle magazinesmimeographsmall press
spellingShingle Abel Debritto
« Writing into a Void » : Charles Bukowski and the Little Magazines
European Journal of American Studies
Charles Bukowski
periodicals
little magazines
mimeograph
small press
title « Writing into a Void » : Charles Bukowski and the Little Magazines
title_full « Writing into a Void » : Charles Bukowski and the Little Magazines
title_fullStr « Writing into a Void » : Charles Bukowski and the Little Magazines
title_full_unstemmed « Writing into a Void » : Charles Bukowski and the Little Magazines
title_short « Writing into a Void » : Charles Bukowski and the Little Magazines
title_sort writing into a void charles bukowski and the little magazines
topic Charles Bukowski
periodicals
little magazines
mimeograph
small press
url https://journals.openedition.org/ejas/9823
work_keys_str_mv AT abeldebritto writingintoavoidcharlesbukowskiandthelittlemagazines