Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers
Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to th...
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Universität Trier
2021-08-01
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| Series: | Internationale Zeitschrift für Kulturkomparatistik |
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| Online Access: | https://izfk.uni-trier.de/index.php/izfk/article/view/74 |
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| author | Jürgen Ritte |
| author_facet | Jürgen Ritte |
| author_sort | Jürgen Ritte |
| collection | DOAJ |
| description | Despite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other. |
| format | Article |
| id | doaj-art-b25dde3c00a940ea935a26c32265cfa1 |
| institution | OA Journals |
| issn | 2698-492X 2698-4938 |
| language | deu |
| publishDate | 2021-08-01 |
| publisher | Universität Trier |
| record_format | Article |
| series | Internationale Zeitschrift für Kulturkomparatistik |
| spelling | doaj-art-b25dde3c00a940ea935a26c32265cfa12025-08-20T02:23:04ZdeuUniversität TrierInternationale Zeitschrift für Kulturkomparatistik2698-492X2698-49382021-08-01414515610.25353/ubtr-izfk-4cea-d55160Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean KriersJürgen Ritte0Université de la Sorbonne NouvelleDespite its predominantly maritime subjects, the work of the German-speaking Luxembourgish poet Jean Krier presents itself from its debut (“Breton Islands,” 1994) as a deconstruction of classical nature poetry. Jean Krier’s poems thus stand in a tradition that goes back to Schiller and extends to the aesthetic theory of Theodor W. Adorno in ratifying the state of man’s separation from nature. Krier’s aesthetic procedure is based on the deconstruction of linguistic material that is subjected to states of play (mots-valises, homophonies, polyphonies, word lists, etc.). His poetry thus becomes a modern form of literary criticism in which disparate flotsam and junk-language reflect each other.https://izfk.uni-trier.de/index.php/izfk/article/view/74jean krier20th century german-language poetrynature poetrydeconstructionlanguage skepticism |
| spellingShingle | Jürgen Ritte Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers Internationale Zeitschrift für Kulturkomparatistik jean krier 20th century german-language poetry nature poetry deconstruction language skepticism |
| title | Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers |
| title_full | Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers |
| title_fullStr | Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers |
| title_full_unstemmed | Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers |
| title_short | Brechende Wellen, gebrochene Sprache. Die Natur in der Lyrik Jean Kriers |
| title_sort | brechende wellen gebrochene sprache die natur in der lyrik jean kriers |
| topic | jean krier 20th century german-language poetry nature poetry deconstruction language skepticism |
| url | https://izfk.uni-trier.de/index.php/izfk/article/view/74 |
| work_keys_str_mv | AT jurgenritte brechendewellengebrochenesprachedienaturinderlyrikjeankriers |