Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture

In this article I will overview the theories on biblical symbols that laid at the basis of several personal sculptures. Such is the case of Old Testament motifs drawing on Abraham and the New Testament (the Last Supper and the Cathedral). The main sources of inspiration are external and internal fre...

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Main Author: Simion Cristea
Format: Article
Language:deu
Published: “George Enescu” National University of Arts of Iași 2019-05-01
Series:Anastasis: Research in Medieval Culture and Art
Subjects:
Online Access:https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-1-09_Simion-Cristea.pdf
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author Simion Cristea
author_facet Simion Cristea
author_sort Simion Cristea
collection DOAJ
description In this article I will overview the theories on biblical symbols that laid at the basis of several personal sculptures. Such is the case of Old Testament motifs drawing on Abraham and the New Testament (the Last Supper and the Cathedral). The main sources of inspiration are external and internal frescoes of medieval monasteries from the Byzantine and neo-Byzantine space.
format Article
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institution Kabale University
issn 2392-9472
2392-862X
language deu
publishDate 2019-05-01
publisher “George Enescu” National University of Arts of Iași
record_format Article
series Anastasis: Research in Medieval Culture and Art
spelling doaj-art-b1f0584c4d474729ab730cd24c092a862025-08-20T03:58:53Zdeu“George Enescu” National University of Arts of IașiAnastasis: Research in Medieval Culture and Art2392-94722392-862X2019-05-01VI119121010.35218/armca.2019.1.09Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s SculptureSimion Cristea0Associate Professor, PhD. ”George Enescu” National University of ArtsIn this article I will overview the theories on biblical symbols that laid at the basis of several personal sculptures. Such is the case of Old Testament motifs drawing on Abraham and the New Testament (the Last Supper and the Cathedral). The main sources of inspiration are external and internal frescoes of medieval monasteries from the Byzantine and neo-Byzantine space.https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-1-09_Simion-Cristea.pdfromanian medieval artbiblical symbolssculptures of religious inspirationbyzantine spirittranscendence
spellingShingle Simion Cristea
Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
Anastasis: Research in Medieval Culture and Art
romanian medieval art
biblical symbols
sculptures of religious inspiration
byzantine spirit
transcendence
title Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
title_full Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
title_fullStr Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
title_full_unstemmed Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
title_short Abraham – The Last Supper – Cathedral. Biblical Symbols of Medieval Origin in Simion Cristea’s Sculpture
title_sort abraham the last supper cathedral biblical symbols of medieval origin in simion cristea s sculpture
topic romanian medieval art
biblical symbols
sculptures of religious inspiration
byzantine spirit
transcendence
url https://anastasis-review.ro/wp-content/uploads/ARMCA-2019-VI-1-09_Simion-Cristea.pdf
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