L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane
In the 1980s, opera houses began commissioning contemporary composers for operas for young audiences. Faced with this kind of audience, which is often idealised (by childhood memories and commonplaces), the creators began to question the reception of their work. In order to ensure that a child’s fir...
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| Format: | Article |
| Language: | English |
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Éditions de l'EHESS
2012-05-01
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| Series: | Transposition |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transposition/319 |
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