L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane
In the 1980s, opera houses began commissioning contemporary composers for operas for young audiences. Faced with this kind of audience, which is often idealised (by childhood memories and commonplaces), the creators began to question the reception of their work. In order to ensure that a child’s fir...
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| Format: | Article |
| Language: | English |
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Éditions de l'EHESS
2012-05-01
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| Series: | Transposition |
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| Online Access: | https://journals.openedition.org/transposition/319 |
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| author | Theresa Schmitz |
| author_facet | Theresa Schmitz |
| author_sort | Theresa Schmitz |
| collection | DOAJ |
| description | In the 1980s, opera houses began commissioning contemporary composers for operas for young audiences. Faced with this kind of audience, which is often idealised (by childhood memories and commonplaces), the creators began to question the reception of their work. In order to ensure that a child’s first impression of the lyrical genre be a positive one, they all, without exception, develop seduction strategies. However, the children’s reactions collected in this study show that they are not so easy to seduce. |
| format | Article |
| id | doaj-art-b199a9d4b0844801b6dab2aba6152613 |
| institution | OA Journals |
| issn | 2110-6134 |
| language | English |
| publishDate | 2012-05-01 |
| publisher | Éditions de l'EHESS |
| record_format | Article |
| series | Transposition |
| spelling | doaj-art-b199a9d4b0844801b6dab2aba61526132025-08-20T02:34:02ZengÉditions de l'EHESSTransposition2110-61342012-05-01210.4000/transposition.319L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomaneTheresa SchmitzIn the 1980s, opera houses began commissioning contemporary composers for operas for young audiences. Faced with this kind of audience, which is often idealised (by childhood memories and commonplaces), the creators began to question the reception of their work. In order to ensure that a child’s first impression of the lyrical genre be a positive one, they all, without exception, develop seduction strategies. However, the children’s reactions collected in this study show that they are not so easy to seduce.https://journals.openedition.org/transposition/319contemporary musiccompositional strategieschildren’s operareceptionchild |
| spellingShingle | Theresa Schmitz L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane Transposition contemporary music compositional strategies children’s opera reception child |
| title | L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane |
| title_full | L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane |
| title_fullStr | L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane |
| title_full_unstemmed | L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane |
| title_short | L’opéra jeune public. Stratégies compositionnelles pour transformer l’enfant-spectateur en mélomane |
| title_sort | l opera jeune public strategies compositionnelles pour transformer l enfant spectateur en melomane |
| topic | contemporary music compositional strategies children’s opera reception child |
| url | https://journals.openedition.org/transposition/319 |
| work_keys_str_mv | AT theresaschmitz loperajeunepublicstrategiescompositionnellespourtransformerlenfantspectateurenmelomane |