The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar
Connotation or the indirect expression has been of crucial significance regarding literary criticism and rhetorical studies and aesthetics; so that, to be thoroughly perceived, needs an intense consideration beyond the lexical levels or verses and sentences, and what should be studied are the struct...
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Semnan University
2023-11-01
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| Series: | مطالعات زبانی و بلاغی |
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| Online Access: | https://rhetorical.semnan.ac.ir/article_7987_9ed00218527b2247b1b964dc0b05b964.pdf |
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| author | Ghodsieh Rezvanian Reza Sattari Maryam Ghorbanian |
| author_facet | Ghodsieh Rezvanian Reza Sattari Maryam Ghorbanian |
| author_sort | Ghodsieh Rezvanian |
| collection | DOAJ |
| description | Connotation or the indirect expression has been of crucial significance regarding literary criticism and rhetorical studies and aesthetics; so that, to be thoroughly perceived, needs an intense consideration beyond the lexical levels or verses and sentences, and what should be studied are the structure and the whole context of the work and the minor and the main elements of a work concerning the main constituent context. In this structural study, the narrative element has an important role; and only by applying a minute research on the components of the narrative structure and the correlation of these components with themselves and with the whole text in several aspects like connotation, an appropriate result could be achieved. Some of these above-mentioned constituent components and elements of the text are considered as lexical and syntactical layers (linguistic field), image: simile, metaphor, and allegory (rhetorical field), and drama (dramatic field) that are engaging in creating implemented meaning.Although the connotation is observed in different layers in Ferdowsi's poetry, insisting on the vocabulary and semantic layers this study has investigated the connotative meaning of Narges dožam (the sad narcissus) in the introduction of the Rostam and Esfandiar story finally had demonstrated this of eyes, crown, and drunkeness has three implicit meanings and the obtained results illustrate the consistency of the narrative context. |
| format | Article |
| id | doaj-art-b1479ade5cd24d12bc1c03384c32976e |
| institution | Kabale University |
| issn | 2008-9570 2717-090X |
| language | fas |
| publishDate | 2023-11-01 |
| publisher | Semnan University |
| record_format | Article |
| series | مطالعات زبانی و بلاغی |
| spelling | doaj-art-b1479ade5cd24d12bc1c03384c32976e2025-01-15T08:08:40ZfasSemnan Universityمطالعات زبانی و بلاغی2008-95702717-090X2023-11-01143317721210.22075/jlrs.2022.28478.21767987The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and EsfandiarGhodsieh Rezvanian0Reza Sattari1Maryam Ghorbanian2Professor, Department of Persian Language and Literature, University of Mazandaran , Babolsar, Iran: Correspondence author (ghrezvan@umz.ac.ir).Associate Professor, Department of Persian Language and Literature, University of Mazandaran, Babolsar, IranPhD. Student, Department of Persian Language and Literature,University of Mazandaran, Babolsar, IranConnotation or the indirect expression has been of crucial significance regarding literary criticism and rhetorical studies and aesthetics; so that, to be thoroughly perceived, needs an intense consideration beyond the lexical levels or verses and sentences, and what should be studied are the structure and the whole context of the work and the minor and the main elements of a work concerning the main constituent context. In this structural study, the narrative element has an important role; and only by applying a minute research on the components of the narrative structure and the correlation of these components with themselves and with the whole text in several aspects like connotation, an appropriate result could be achieved. Some of these above-mentioned constituent components and elements of the text are considered as lexical and syntactical layers (linguistic field), image: simile, metaphor, and allegory (rhetorical field), and drama (dramatic field) that are engaging in creating implemented meaning.Although the connotation is observed in different layers in Ferdowsi's poetry, insisting on the vocabulary and semantic layers this study has investigated the connotative meaning of Narges dožam (the sad narcissus) in the introduction of the Rostam and Esfandiar story finally had demonstrated this of eyes, crown, and drunkeness has three implicit meanings and the obtained results illustrate the consistency of the narrative context.https://rhetorical.semnan.ac.ir/article_7987_9ed00218527b2247b1b964dc0b05b964.pdfferdowsi's shahnamehconnotationnarrative contextvocabulary layernarges (narcissus) |
| spellingShingle | Ghodsieh Rezvanian Reza Sattari Maryam Ghorbanian The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar مطالعات زبانی و بلاغی ferdowsi's shahnameh connotation narrative context vocabulary layer narges (narcissus) |
| title | The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar |
| title_full | The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar |
| title_fullStr | The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar |
| title_full_unstemmed | The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar |
| title_short | The study of connotation dožam Narges( The sad narcissus) in the Prologue of Rostam and Esfandiar |
| title_sort | study of connotation dozam narges the sad narcissus in the prologue of rostam and esfandiar |
| topic | ferdowsi's shahnameh connotation narrative context vocabulary layer narges (narcissus) |
| url | https://rhetorical.semnan.ac.ir/article_7987_9ed00218527b2247b1b964dc0b05b964.pdf |
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