Narrating Violation: Harriet Prescott Spofford’s “Circumstance”

The several critical interpretations of Harriet Prescott Spofford’s short story, “Circumstance,” generally acknowledge the presence of sexual violation, but they also tend to de-center it, either glossing over it, or enlisting the nature and implications of the assault to serve other ends. In contra...

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Main Author: Rita Bode
Format: Article
Language:English
Published: European Association for American Studies 2019-11-01
Series:European Journal of American Studies
Subjects:
Online Access:https://journals.openedition.org/ejas/15057
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author Rita Bode
author_facet Rita Bode
author_sort Rita Bode
collection DOAJ
description The several critical interpretations of Harriet Prescott Spofford’s short story, “Circumstance,” generally acknowledge the presence of sexual violation, but they also tend to de-center it, either glossing over it, or enlisting the nature and implications of the assault to serve other ends. In contrast, “Narrating Violation” sees the story’s sexual assault as its main subject; it explores the methods that Spofford employs to present the sexual violation and the implications for reading “Circumstance” as a rape narrative. Spofford’s multiple ways of speaking the violation at the heart of “Circumstance” align with Emily Dickinson’s treatment of rape. The possibility that Dickinson recognized in “Circumstance” a story of rape and wrote her own poetic version of it begins to identify a literary stream in nineteenth-century American women’s writing that resists the elision of violence against women and tells of rape in a way acceptable for its time.
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spelling doaj-art-b08b29b8b0604f86aaf02408b56de8202025-01-06T09:09:49ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362019-11-0114310.4000/ejas.15057Narrating Violation: Harriet Prescott Spofford’s “Circumstance”Rita BodeThe several critical interpretations of Harriet Prescott Spofford’s short story, “Circumstance,” generally acknowledge the presence of sexual violation, but they also tend to de-center it, either glossing over it, or enlisting the nature and implications of the assault to serve other ends. In contrast, “Narrating Violation” sees the story’s sexual assault as its main subject; it explores the methods that Spofford employs to present the sexual violation and the implications for reading “Circumstance” as a rape narrative. Spofford’s multiple ways of speaking the violation at the heart of “Circumstance” align with Emily Dickinson’s treatment of rape. The possibility that Dickinson recognized in “Circumstance” a story of rape and wrote her own poetic version of it begins to identify a literary stream in nineteenth-century American women’s writing that resists the elision of violence against women and tells of rape in a way acceptable for its time.https://journals.openedition.org/ejas/15057sexual assaultHarriet Prescott Spoffordcaptivity narrativeEmily Dickinsonnineteenth-century American women writersrape
spellingShingle Rita Bode
Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
European Journal of American Studies
sexual assault
Harriet Prescott Spofford
captivity narrative
Emily Dickinson
nineteenth-century American women writers
rape
title Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
title_full Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
title_fullStr Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
title_full_unstemmed Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
title_short Narrating Violation: Harriet Prescott Spofford’s “Circumstance”
title_sort narrating violation harriet prescott spofford s circumstance
topic sexual assault
Harriet Prescott Spofford
captivity narrative
Emily Dickinson
nineteenth-century American women writers
rape
url https://journals.openedition.org/ejas/15057
work_keys_str_mv AT ritabode narratingviolationharrietprescottspoffordscircumstance