Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama
Inspired both by the Black Arts Movement and the postmodern revolt against it, Parks has concentrated on crafting provocative plays that represent and emphasize the concerns and quest/ion of identities for African Americans. In the present essay, I argue that Parks is interested in questioning the f...
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Format: | Article |
Language: | English |
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European Association for American Studies
2016-08-01
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Series: | European Journal of American Studies |
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Online Access: | https://journals.openedition.org/ejas/11613 |
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author | Mehdi Ghasemi |
author_facet | Mehdi Ghasemi |
author_sort | Mehdi Ghasemi |
collection | DOAJ |
description | Inspired both by the Black Arts Movement and the postmodern revolt against it, Parks has concentrated on crafting provocative plays that represent and emphasize the concerns and quest/ion of identities for African Americans. In the present essay, I argue that Parks is interested in questioning the former constructed racial boundaries of blackness and revolutionary ideologies of the Black Arts Movement without turning a blind eye to the concerns of African American community. I show that Parks attempts to escape the traditions of the Black Arts Movement, which depended on conventions of narrative realism and straightforward language to transmit its revolutionary messages. My goal is to show how Parks’s plays make use of postmodern aesthetics and paradigms to transform the conventional features of playwriting, create indeterminacies toward dominant systems of oppression and raise the quest/ion of identities for African Americans in a post-revolutionary manner. |
format | Article |
id | doaj-art-b0836c45b89544868db3239124ace03f |
institution | Kabale University |
issn | 1991-9336 |
language | English |
publishDate | 2016-08-01 |
publisher | European Association for American Studies |
record_format | Article |
series | European Journal of American Studies |
spelling | doaj-art-b0836c45b89544868db3239124ace03f2025-01-06T09:09:13ZengEuropean Association for American StudiesEuropean Journal of American Studies1991-93362016-08-0111210.4000/ejas.11613Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary DramaMehdi GhasemiInspired both by the Black Arts Movement and the postmodern revolt against it, Parks has concentrated on crafting provocative plays that represent and emphasize the concerns and quest/ion of identities for African Americans. In the present essay, I argue that Parks is interested in questioning the former constructed racial boundaries of blackness and revolutionary ideologies of the Black Arts Movement without turning a blind eye to the concerns of African American community. I show that Parks attempts to escape the traditions of the Black Arts Movement, which depended on conventions of narrative realism and straightforward language to transmit its revolutionary messages. My goal is to show how Parks’s plays make use of postmodern aesthetics and paradigms to transform the conventional features of playwriting, create indeterminacies toward dominant systems of oppression and raise the quest/ion of identities for African Americans in a post-revolutionary manner.https://journals.openedition.org/ejas/11613identitystereotypeSuzan-Lori Parkspost-revolutionary theaterthe Black Arts Movementpostmodern drama |
spellingShingle | Mehdi Ghasemi Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama European Journal of American Studies identity stereotype Suzan-Lori Parks post-revolutionary theater the Black Arts Movement postmodern drama |
title | Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama |
title_full | Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama |
title_fullStr | Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama |
title_full_unstemmed | Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama |
title_short | Quest/ion of Identities in Suzan-Lori Parks’s Post-revolutionary Drama |
title_sort | quest ion of identities in suzan lori parks s post revolutionary drama |
topic | identity stereotype Suzan-Lori Parks post-revolutionary theater the Black Arts Movement postmodern drama |
url | https://journals.openedition.org/ejas/11613 |
work_keys_str_mv | AT mehdighasemi questionofidentitiesinsuzanloriparksspostrevolutionarydrama |