Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles

The aim of this paper is to tackle what I consider to be the most important aspects of John Fowles’ The French Lieutenant’s Woman, exploring the concepts of existential authenticity, intertextual organization, temporal organization, space, historicity, materialized into a plethora...

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Main Author: Camelia Barbu
Format: Article
Language:English
Published: Romanian Association of Teachers of English 2019-12-01
Series:RATE Issues
Subjects:
Online Access:https://rate.org.ro/index.php/ratei/article/view/51/50
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author Camelia Barbu
author_facet Camelia Barbu
author_sort Camelia Barbu
collection DOAJ
description The aim of this paper is to tackle what I consider to be the most important aspects of John Fowles’ The French Lieutenant’s Woman, exploring the concepts of existential authenticity, intertextual organization, temporal organization, space, historicity, materialized into a plethora of mythic quest archetypes in a God game literary manner. I will try to analyse these issues following two main coordinates: a horizontal one, as a matter of form, (aimed both at the literary analysis and the translation chapter), and a vertical, unseen part, that of metafiction and metalanguage. In a nutshell, all the elements that pinpoint Fowles’ uniqueness as a stunning novelist always fidgety and mischievous, always an eye-opener to his readers, never ceasing to amaze. The horizontal perspective, the form, could be used in class as basis for teaching translation or literature to bilingual classes.
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spelling doaj-art-ae82b41e97604a748b131a857d841f022025-08-20T02:10:50ZengRomanian Association of Teachers of EnglishRATE Issues1844-61592019-12-01231Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John FowlesCamelia Barbu0Colegiul National ‘Ienachita Vacarescu’ Targoviste, RomaniaThe aim of this paper is to tackle what I consider to be the most important aspects of John Fowles’ The French Lieutenant’s Woman, exploring the concepts of existential authenticity, intertextual organization, temporal organization, space, historicity, materialized into a plethora of mythic quest archetypes in a God game literary manner. I will try to analyse these issues following two main coordinates: a horizontal one, as a matter of form, (aimed both at the literary analysis and the translation chapter), and a vertical, unseen part, that of metafiction and metalanguage. In a nutshell, all the elements that pinpoint Fowles’ uniqueness as a stunning novelist always fidgety and mischievous, always an eye-opener to his readers, never ceasing to amaze. The horizontal perspective, the form, could be used in class as basis for teaching translation or literature to bilingual classes.https://rate.org.ro/index.php/ratei/article/view/51/50deconstructionjuxtapositionmetafictionsimulacrumtimelessnessintertextpostmodernism
spellingShingle Camelia Barbu
Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
RATE Issues
deconstruction
juxtaposition
metafiction
simulacrum
timelessness
intertext
postmodernism
title Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
title_full Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
title_fullStr Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
title_full_unstemmed Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
title_short Postmodernism and multiple worlds in ‘The French Lieutenant’s Woman’ by John Fowles
title_sort postmodernism and multiple worlds in the french lieutenant s woman by john fowles
topic deconstruction
juxtaposition
metafiction
simulacrum
timelessness
intertext
postmodernism
url https://rate.org.ro/index.php/ratei/article/view/51/50
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