From Imperialism to Nationalism: Ottoman-Swedish Musical Relations
Ottoman-Swedish music-historical relations date back to the early 18th century when King of Sweden Karl XII took refuge in the Ottoman Empire with his army. During the Ottoman Empire’s 18th and 19th-century modernization processes, these connections continued. Swedish instrument makers started suppl...
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Istanbul University Press
2023-01-01
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| Series: | Art-Sanat |
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| Online Access: | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/C8A21DE6113C41E0A0C6FA61126A7031 |
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| author | Evren Kutlay |
| author_facet | Evren Kutlay |
| author_sort | Evren Kutlay |
| collection | DOAJ |
| description | Ottoman-Swedish music-historical relations date back to the early 18th century when King of Sweden Karl XII took refuge in the Ottoman Empire with his army. During the Ottoman Empire’s 18th and 19th-century modernization processes, these connections continued. Swedish instrument makers started supplying Ottoman military bands once the Muzıka-yı Hümâyûn (The Imperial Music and Performing Arts Institution) was founded. According to three archival files identified in the Directory of State Archives in Istanbul, military band instruments were bought for Sultan Abdulhamid II in 1890 and 1907. Moreover, the first Ottoman governmental march in Western style, Mahmudie, was of Swedish interest, and the Swedish march Tre Trallande Jäntor (Three Carolling Girls) was of Ottoman. Studies on Ottoman-Swedish relations mostly focus on economic, political, or diplomatic issues. Music-historical studies on this subject are under-represented, and limited in number and content. Thus, the Swedish musical contribution to the Ottoman military and the musical connections between these two countries are still understudied subjects in the global academic world. This paper is in the fields of cultural history and cultural diplomacy. It examines the historical background of Ottoman-Swedish musical relations through the historical method, by adopting data collection and descriptive data analysis techniques to interpret the findings in line with the era’s historical, social, and political developments, as well as with the ideologies of modernization and nationalism. |
| format | Article |
| id | doaj-art-adc5e92c2d2e4bc282da21186d14ccad |
| institution | DOAJ |
| issn | 2148-3582 |
| language | English |
| publishDate | 2023-01-01 |
| publisher | Istanbul University Press |
| record_format | Article |
| series | Art-Sanat |
| spelling | doaj-art-adc5e92c2d2e4bc282da21186d14ccad2025-08-20T03:09:30ZengIstanbul University PressArt-Sanat2148-35822023-01-011933736410.26650/artsanat.2023.19.1113612123456From Imperialism to Nationalism: Ottoman-Swedish Musical RelationsEvren Kutlay0https://orcid.org/0000-0001-7164-4282İstanbul Sabahattin Zaim Üniversitesi, Istanbul, TurkiyeOttoman-Swedish music-historical relations date back to the early 18th century when King of Sweden Karl XII took refuge in the Ottoman Empire with his army. During the Ottoman Empire’s 18th and 19th-century modernization processes, these connections continued. Swedish instrument makers started supplying Ottoman military bands once the Muzıka-yı Hümâyûn (The Imperial Music and Performing Arts Institution) was founded. According to three archival files identified in the Directory of State Archives in Istanbul, military band instruments were bought for Sultan Abdulhamid II in 1890 and 1907. Moreover, the first Ottoman governmental march in Western style, Mahmudie, was of Swedish interest, and the Swedish march Tre Trallande Jäntor (Three Carolling Girls) was of Ottoman. Studies on Ottoman-Swedish relations mostly focus on economic, political, or diplomatic issues. Music-historical studies on this subject are under-represented, and limited in number and content. Thus, the Swedish musical contribution to the Ottoman military and the musical connections between these two countries are still understudied subjects in the global academic world. This paper is in the fields of cultural history and cultural diplomacy. It examines the historical background of Ottoman-Swedish musical relations through the historical method, by adopting data collection and descriptive data analysis techniques to interpret the findings in line with the era’s historical, social, and political developments, as well as with the ideologies of modernization and nationalism.https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/C8A21DE6113C41E0A0C6FA61126A7031ottoman marchesswedish marchesswedish instrumentsmodernizationnationalism |
| spellingShingle | Evren Kutlay From Imperialism to Nationalism: Ottoman-Swedish Musical Relations Art-Sanat ottoman marches swedish marches swedish instruments modernization nationalism |
| title | From Imperialism to Nationalism: Ottoman-Swedish Musical Relations |
| title_full | From Imperialism to Nationalism: Ottoman-Swedish Musical Relations |
| title_fullStr | From Imperialism to Nationalism: Ottoman-Swedish Musical Relations |
| title_full_unstemmed | From Imperialism to Nationalism: Ottoman-Swedish Musical Relations |
| title_short | From Imperialism to Nationalism: Ottoman-Swedish Musical Relations |
| title_sort | from imperialism to nationalism ottoman swedish musical relations |
| topic | ottoman marches swedish marches swedish instruments modernization nationalism |
| url | https://cdn.istanbul.edu.tr/file/JTA6CLJ8T5/C8A21DE6113C41E0A0C6FA61126A7031 |
| work_keys_str_mv | AT evrenkutlay fromimperialismtonationalismottomanswedishmusicalrelations |