Ruining Image and the Image as Ruin: William Kentridge’s Trionfi e Lamenti in Rome
The essay examines South African visual artist William Kentridge’s monumental erase graffiti frieze Trionfi e Lamenti in Rome (2016), focusing on the artwork’s palimpsestic reworking of a visual archive of Rome and Roman triumphal iconography. Kentridge’s disturbing and ghostly procession along the...
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| Format: | Article |
| Language: | English |
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Université du Sud Toulon-Var
2024-12-01
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| Series: | Babel: Littératures Plurielles |
| Subjects: | |
| Online Access: | https://journals.openedition.org/babel/16517 |
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