‘Is that not Titian?’ Echoes of Venice in George Frederic Watts’s Self-Portraits, between Self-Fashioning and Artistic Practice
The reception of Venetian Renaissance painters had a profound effect on the creation of a British tradition of painting and played an important role in the development of the portrait as a typically British genre. This is precisely what this article aims to explore, through the emblematic case of th...
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| Format: | Article |
| Language: | English |
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Université de Bourgogne
2024-06-01
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| Series: | Interfaces |
| Subjects: | |
| Online Access: | https://journals.openedition.org/interfaces/8743 |
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