Line Breaths in Allen Ginsberg’s Poetry
“I am not thoroughly satisfied with what he has done. I have told him—I mean I am disgusted with him and his long lines.” As Williams delivers this message to his friend Walter Sutton, he condemns what he sees as Allen Ginsberg’s inability to both carve and curb his verse. This article explores what...
Saved in:
| Main Author: | Anna Aublet |
|---|---|
| Format: | Article |
| Language: | English |
| Published: |
Association Française d'Etudes Américaines
2021-07-01
|
| Series: | Transatlantica |
| Subjects: | |
| Online Access: | https://journals.openedition.org/transatlantica/17094 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
Similar Items
-
Magic and Collage: Language in Ginsberg’s "Wichita Vortex Sutra"
by: Elisa Sabbadin
Published: (2021-10-01) -
Heideggerian Space and Time in Ted Hughes’s and Allen Ginsberg’s Poems
by: Abdolhossein Joodaki, et al.
Published: (2024-10-01) -
City Lights and the Emergence of Beat Poetry: How Howl and Other Poems redefined Poetic and Cultural Boundaries in the mid-1950s
by: Peggy Pacini
Published: (2017-07-01) -
Bill & Carlos : les Amériques de William Carlos Williams
by: Anna Aublet
Published: (2018-05-01) -
The Modernist Poem or the Infinite Prolegomena
by: Aurore Clavier
Published: (2020-12-01)