Jacques Gilard y la música popular colombiana
This work analyzes Jacques Gilard’s important contribution –as well as its reception− dealing with what remains an isolated case in the literary context and which brings up a debate concerning the vallenato and popular music in the Colombian Caribbean coast. From a long series of well balanced essay...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Spanish |
| Published: |
Presses universitaires du Midi
2009-12-01
|
| Series: | Caravelle |
| Subjects: | |
| Online Access: | https://journals.openedition.org/caravelle/9385 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| Summary: | This work analyzes Jacques Gilard’s important contribution –as well as its reception− dealing with what remains an isolated case in the literary context and which brings up a debate concerning the vallenato and popular music in the Colombian Caribbean coast. From a long series of well balanced essays emerge Gilard’s main arguments about the links existing between vallenatopolitics-power that were rejected by the Colombian establishment, and which are in turn, the starting point of Wade’s exposition about the vallenato, specially his thesis about the emergence of the claiming of the coastal music and culture within the country’s interior. |
|---|---|
| ISSN: | 1147-6753 2272-9828 |