« Excès et pénurie dans Middlemarch : le cas de M. Casaubon »

This paper offers a study of Reverend Casaubon in terms of want, as a counterpoint to excess. First, Casaubon’s deficiencies are clearly physical : at the beginning of the novel, Dorothea Brooke’s family and friends manifest vehement opposition to her contemplated match with the pale, ageing scholar...

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Main Author: Sylvie Jougan
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2006-12-01
Series:Cahiers Victoriens et Edouardiens
Online Access:https://journals.openedition.org/cve/12584
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author Sylvie Jougan
author_facet Sylvie Jougan
author_sort Sylvie Jougan
collection DOAJ
description This paper offers a study of Reverend Casaubon in terms of want, as a counterpoint to excess. First, Casaubon’s deficiencies are clearly physical : at the beginning of the novel, Dorothea Brooke’s family and friends manifest vehement opposition to her contemplated match with the pale, ageing scholar. Then the text frequently intimates that Casaubon’s deficiencies are also of a sexual order. Thirdly, Casaubon is sadly lacking in mental and intellectual energy : the scholar’s intellect is unable to « digest » the voluminous notes amassed over the years to produce his « Key to all Mythologies », an excessive project if ever there was one. Lastly, Casaubon is found to lack presence, tending towards absence, and even death. Thus, the text is permeated with a sense of the character’s sheer impotence. But this portrait of the failed scholar can also be read as a form of self-caricature, through which George Eliot was trying to exorcize her fear of failure in writing Middlemarch.
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spelling doaj-art-abfa4ec00ecf4b0e8a55f530591f4f3b2025-01-30T10:21:01ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492006-12-016310.4000/cve.12584« Excès et pénurie dans Middlemarch : le cas de M. Casaubon »Sylvie JouganThis paper offers a study of Reverend Casaubon in terms of want, as a counterpoint to excess. First, Casaubon’s deficiencies are clearly physical : at the beginning of the novel, Dorothea Brooke’s family and friends manifest vehement opposition to her contemplated match with the pale, ageing scholar. Then the text frequently intimates that Casaubon’s deficiencies are also of a sexual order. Thirdly, Casaubon is sadly lacking in mental and intellectual energy : the scholar’s intellect is unable to « digest » the voluminous notes amassed over the years to produce his « Key to all Mythologies », an excessive project if ever there was one. Lastly, Casaubon is found to lack presence, tending towards absence, and even death. Thus, the text is permeated with a sense of the character’s sheer impotence. But this portrait of the failed scholar can also be read as a form of self-caricature, through which George Eliot was trying to exorcize her fear of failure in writing Middlemarch.https://journals.openedition.org/cve/12584
spellingShingle Sylvie Jougan
« Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
Cahiers Victoriens et Edouardiens
title « Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
title_full « Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
title_fullStr « Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
title_full_unstemmed « Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
title_short « Excès et pénurie dans Middlemarch : le cas de M. Casaubon »
title_sort exces et penurie dans middlemarch le cas de m casaubon
url https://journals.openedition.org/cve/12584
work_keys_str_mv AT sylviejougan excesetpenuriedansmiddlemarchlecasdemcasaubon