Remarks on Sound Stallation
This text explores the evolution of sound art from its origins to contemporary practice. Focusing on sound installations and sculptures, the author distinguishes the sound instalation art from broader sound art practices. The importance of space in defining sound art is emphasized, contrasting it w...
Saved in:
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade do Estado de Santa Catarina (UDESC)
2025-03-01
|
| Series: | Palíndromo |
| Subjects: | |
| Online Access: | https://www.periodicos.udesc.br/index.php/palindromo/article/view/26545 |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1850094967360323584 |
|---|---|
| author | Carsten Seiffarth |
| author_facet | Carsten Seiffarth |
| author_sort | Carsten Seiffarth |
| collection | DOAJ |
| description |
This text explores the evolution of sound art from its origins to contemporary practice. Focusing on sound installations and sculptures, the author distinguishes the sound instalation art from broader sound art practices. The importance of space in defining sound art is emphasized, contrasting it with music and other audio-based art forms. The text traces the historical development of sound installations, highlighting key figures and movements, while also critiquing recent trends that prioritize technology over spatial experience. A clear distinction is drawn between sound art and sound installation art, with the latter being defined as the creative use of sound as a material within a specific space.
|
| format | Article |
| id | doaj-art-abca2ee4589c4b4485143898366dd232 |
| institution | DOAJ |
| issn | 1984-9532 2175-2346 |
| language | Portuguese |
| publishDate | 2025-03-01 |
| publisher | Universidade do Estado de Santa Catarina (UDESC) |
| record_format | Article |
| series | Palíndromo |
| spelling | doaj-art-abca2ee4589c4b4485143898366dd2322025-08-20T02:41:33ZporUniversidade do Estado de Santa Catarina (UDESC)Palíndromo1984-95322175-23462025-03-01164010.5965/2175234616402024e0002Remarks on Sound StallationCarsten Seiffarth This text explores the evolution of sound art from its origins to contemporary practice. Focusing on sound installations and sculptures, the author distinguishes the sound instalation art from broader sound art practices. The importance of space in defining sound art is emphasized, contrasting it with music and other audio-based art forms. The text traces the historical development of sound installations, highlighting key figures and movements, while also critiquing recent trends that prioritize technology over spatial experience. A clear distinction is drawn between sound art and sound installation art, with the latter being defined as the creative use of sound as a material within a specific space. https://www.periodicos.udesc.br/index.php/palindromo/article/view/26545sound artsound installationsound sculpturespacesite-specific |
| spellingShingle | Carsten Seiffarth Remarks on Sound Stallation Palíndromo sound art sound installation sound sculpture space site-specific |
| title | Remarks on Sound Stallation |
| title_full | Remarks on Sound Stallation |
| title_fullStr | Remarks on Sound Stallation |
| title_full_unstemmed | Remarks on Sound Stallation |
| title_short | Remarks on Sound Stallation |
| title_sort | remarks on sound stallation |
| topic | sound art sound installation sound sculpture space site-specific |
| url | https://www.periodicos.udesc.br/index.php/palindromo/article/view/26545 |
| work_keys_str_mv | AT carstenseiffarth remarksonsoundstallation |