CorpoBrasilities in the Circus Ring:

This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniq...

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Main Author: Lau Santos
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2025-05-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/147721
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author Lau Santos
author_facet Lau Santos
author_sort Lau Santos
collection DOAJ
description This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniques such as capoeira in the training of the artist and his/her circus acts in contemporary times? What can be understood as a pedagogical and creative decolonization of Brazilian circus art, respecting its ancient tradition? The risk, the playfulness and the appreciation of cultural reality are common points that strategically enhance Brazilianness and its corporeality, as well as circus arts.
format Article
id doaj-art-ab4b08f5f1884860bc43312669c25609
institution DOAJ
issn 2237-2660
language English
publishDate 2025-05-01
publisher Universidade Federal do Rio Grande do Sul
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series Revista Brasileira de Estudos da Presença
spelling doaj-art-ab4b08f5f1884860bc43312669c256092025-08-20T03:22:16ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602025-05-01152CorpoBrasilities in the Circus Ring:Lau Santos0Universidade Federal de Rondônia – UNIR This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniques such as capoeira in the training of the artist and his/her circus acts in contemporary times? What can be understood as a pedagogical and creative decolonization of Brazilian circus art, respecting its ancient tradition? The risk, the playfulness and the appreciation of cultural reality are common points that strategically enhance Brazilianness and its corporeality, as well as circus arts. https://seer.ufrgs.br/index.php/presenca/article/view/147721Anti-colonialCircusCorpoBrasilityPlayersCapoeira
spellingShingle Lau Santos
CorpoBrasilities in the Circus Ring:
Revista Brasileira de Estudos da Presença
Anti-colonial
Circus
CorpoBrasility
Players
Capoeira
title CorpoBrasilities in the Circus Ring:
title_full CorpoBrasilities in the Circus Ring:
title_fullStr CorpoBrasilities in the Circus Ring:
title_full_unstemmed CorpoBrasilities in the Circus Ring:
title_short CorpoBrasilities in the Circus Ring:
title_sort corpobrasilities in the circus ring
topic Anti-colonial
Circus
CorpoBrasility
Players
Capoeira
url https://seer.ufrgs.br/index.php/presenca/article/view/147721
work_keys_str_mv AT lausantos corpobrasilitiesinthecircusring