Walter Pater’s Anders-Streben: as Theory and as Practice
In Walter Pater’s seminal essay ‘The School of Giorgione’ (1877), he formulated for the first and only time, a theory of art and aesthetic experience complete with its own title, observation and uses and which was modelled less on music than on its metaphor. In this article, I examine Pater’s theory...
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Main Author: | Margaux Poueymirou |
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Format: | Article |
Language: | English |
Published: |
Presses Universitaires de la Méditerranée
2008-12-01
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Series: | Cahiers Victoriens et Edouardiens |
Online Access: | https://journals.openedition.org/cve/7791 |
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