Walter Pater’s Anders-Streben: as Theory and as Practice
In Walter Pater’s seminal essay ‘The School of Giorgione’ (1877), he formulated for the first and only time, a theory of art and aesthetic experience complete with its own title, observation and uses and which was modelled less on music than on its metaphor. In this article, I examine Pater’s theory...
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| Format: | Article |
| Language: | English |
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Presses Universitaires de la Méditerranée
2008-12-01
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| Series: | Cahiers Victoriens et Edouardiens |
| Online Access: | https://journals.openedition.org/cve/7791 |
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| _version_ | 1832581254864699392 |
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| author | Margaux Poueymirou |
| author_facet | Margaux Poueymirou |
| author_sort | Margaux Poueymirou |
| collection | DOAJ |
| description | In Walter Pater’s seminal essay ‘The School of Giorgione’ (1877), he formulated for the first and only time, a theory of art and aesthetic experience complete with its own title, observation and uses and which was modelled less on music than on its metaphor. In this article, I examine Pater’s theory of ‘Anders-streben’ in relation to the concept of synaesthesia and as a context for understanding the role, function and rhetorical style of ‘aesthetic criticism.’ For this was Pater’s art and thus, certainly not exempt from the paradigm he formulated in ‘Giorgione.’ |
| format | Article |
| id | doaj-art-ab384763305242d3806d0ed19186d09e |
| institution | Kabale University |
| issn | 0220-5610 2271-6149 |
| language | English |
| publishDate | 2008-12-01 |
| publisher | Presses Universitaires de la Méditerranée |
| record_format | Article |
| series | Cahiers Victoriens et Edouardiens |
| spelling | doaj-art-ab384763305242d3806d0ed19186d09e2025-01-30T10:22:29ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492008-12-016810.4000/cve.7791Walter Pater’s Anders-Streben: as Theory and as PracticeMargaux PoueymirouIn Walter Pater’s seminal essay ‘The School of Giorgione’ (1877), he formulated for the first and only time, a theory of art and aesthetic experience complete with its own title, observation and uses and which was modelled less on music than on its metaphor. In this article, I examine Pater’s theory of ‘Anders-streben’ in relation to the concept of synaesthesia and as a context for understanding the role, function and rhetorical style of ‘aesthetic criticism.’ For this was Pater’s art and thus, certainly not exempt from the paradigm he formulated in ‘Giorgione.’https://journals.openedition.org/cve/7791 |
| spellingShingle | Margaux Poueymirou Walter Pater’s Anders-Streben: as Theory and as Practice Cahiers Victoriens et Edouardiens |
| title | Walter Pater’s Anders-Streben: as Theory and as Practice |
| title_full | Walter Pater’s Anders-Streben: as Theory and as Practice |
| title_fullStr | Walter Pater’s Anders-Streben: as Theory and as Practice |
| title_full_unstemmed | Walter Pater’s Anders-Streben: as Theory and as Practice |
| title_short | Walter Pater’s Anders-Streben: as Theory and as Practice |
| title_sort | walter pater s anders streben as theory and as practice |
| url | https://journals.openedition.org/cve/7791 |
| work_keys_str_mv | AT margauxpoueymirou walterpatersandersstrebenastheoryandaspractice |