L’atelier du regard
Abstract : Visual sociology could benefit by taking a closer look at the world of drawings and engravings and not just photography or cinema. By so doing, it would make the graphic world more accessible to a wider audience and turn it into a real space for discovery and knowledge. This is the ambiti...
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| Format: | Article |
| Language: | fra |
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La Nouvelle Revue du Travail
2017-06-01
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| Series: | La Nouvelle Revue du Travail |
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| Online Access: | https://journals.openedition.org/nrt/3129 |
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| author | Olivier Ihl |
| author_facet | Olivier Ihl |
| author_sort | Olivier Ihl |
| collection | DOAJ |
| description | Abstract : Visual sociology could benefit by taking a closer look at the world of drawings and engravings and not just photography or cinema. By so doing, it would make the graphic world more accessible to a wider audience and turn it into a real space for discovery and knowledge. This is the ambition underlying the present article, which focuses on images of a particular kind and notably the way in which some of the transformations affecting Paris in the 19th century were captured and depicted. Entitled Madame, madame, un sous-jupe à vendre (“Lingerie for sale”), a caricature drawn by Louis Marie Bosredon (1815-1881) is viewed here as a vehicle for revealing social and urban change. Drawn by a working class artist who was a supporter of the socialist Charles Fourier, it was first published in 1857. The research method used here deviates from any strict distinction between art and science in such a ways as to transform working class drawings into fully-fledged vehicles for participant observation. |
| format | Article |
| id | doaj-art-aa98e137309843f7b37882d30ea711f2 |
| institution | OA Journals |
| issn | 2263-8989 |
| language | fra |
| publishDate | 2017-06-01 |
| publisher | La Nouvelle Revue du Travail |
| record_format | Article |
| series | La Nouvelle Revue du Travail |
| spelling | doaj-art-aa98e137309843f7b37882d30ea711f22025-08-20T02:26:31ZfraLa Nouvelle Revue du TravailLa Nouvelle Revue du Travail2263-89892017-06-011010.4000/nrt.3129L’atelier du regardOlivier IhlAbstract : Visual sociology could benefit by taking a closer look at the world of drawings and engravings and not just photography or cinema. By so doing, it would make the graphic world more accessible to a wider audience and turn it into a real space for discovery and knowledge. This is the ambition underlying the present article, which focuses on images of a particular kind and notably the way in which some of the transformations affecting Paris in the 19th century were captured and depicted. Entitled Madame, madame, un sous-jupe à vendre (“Lingerie for sale”), a caricature drawn by Louis Marie Bosredon (1815-1881) is viewed here as a vehicle for revealing social and urban change. Drawn by a working class artist who was a supporter of the socialist Charles Fourier, it was first published in 1857. The research method used here deviates from any strict distinction between art and science in such a ways as to transform working class drawings into fully-fledged vehicles for participant observation.https://journals.openedition.org/nrt/3129visual sociologyworking class artParis19th century |
| spellingShingle | Olivier Ihl L’atelier du regard La Nouvelle Revue du Travail visual sociology working class art Paris 19th century |
| title | L’atelier du regard |
| title_full | L’atelier du regard |
| title_fullStr | L’atelier du regard |
| title_full_unstemmed | L’atelier du regard |
| title_short | L’atelier du regard |
| title_sort | l atelier du regard |
| topic | visual sociology working class art Paris 19th century |
| url | https://journals.openedition.org/nrt/3129 |
| work_keys_str_mv | AT olivierihl latelierduregard |