L’atelier du regard
Abstract : Visual sociology could benefit by taking a closer look at the world of drawings and engravings and not just photography or cinema. By so doing, it would make the graphic world more accessible to a wider audience and turn it into a real space for discovery and knowledge. This is the ambiti...
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| Format: | Article |
| Language: | fra |
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La Nouvelle Revue du Travail
2017-06-01
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| Series: | La Nouvelle Revue du Travail |
| Subjects: | |
| Online Access: | https://journals.openedition.org/nrt/3129 |
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| Summary: | Abstract : Visual sociology could benefit by taking a closer look at the world of drawings and engravings and not just photography or cinema. By so doing, it would make the graphic world more accessible to a wider audience and turn it into a real space for discovery and knowledge. This is the ambition underlying the present article, which focuses on images of a particular kind and notably the way in which some of the transformations affecting Paris in the 19th century were captured and depicted. Entitled Madame, madame, un sous-jupe à vendre (“Lingerie for sale”), a caricature drawn by Louis Marie Bosredon (1815-1881) is viewed here as a vehicle for revealing social and urban change. Drawn by a working class artist who was a supporter of the socialist Charles Fourier, it was first published in 1857. The research method used here deviates from any strict distinction between art and science in such a ways as to transform working class drawings into fully-fledged vehicles for participant observation. |
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| ISSN: | 2263-8989 |