ASPECTS OF THE HARMONY OF CULTIC CHOIRS FROM OEDIPUS BY GEORGE ENESCU
The last three concerts composed by Aurel Stroe are a further proof of his compositional maturity. The third concert proposes the ideal model of the “chord-matrices”, a symbol that we have to reveal in the spiritual dimensions of Aurel Stroe’s music.
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| Format: | Article |
| Language: | English |
| Published: |
Babeș-Bolyai University
2011-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8938 |
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| Summary: | The last three concerts composed by Aurel Stroe are a further proof of his compositional maturity. The third concert proposes the ideal model of the “chord-matrices”, a symbol that we have to reveal in the spiritual dimensions of Aurel Stroe’s music.
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| ISSN: | 1844-4369 2065-9628 |