Reconstructing latin american history in walker and the mission: postmodernism and allegory

The controversies surrounding the term postmodernism suggest a number of differences in the production, aesthetics, and critical backgrounds involving the making of and writing about recent fictional texts. Postmodernist texts, filmic and literary, are characterized by the coexistence of different...

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Main Author: Anelise Reich Corseuil
Format: Article
Language:English
Published: Universidade Federal de Santa Catarina 1997-01-01
Series:Ilha do Desterro
Online Access:https://periodicos.ufsc.br/index.php/desterro/article/view/12064
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author Anelise Reich Corseuil
author_facet Anelise Reich Corseuil
author_sort Anelise Reich Corseuil
collection DOAJ
description The controversies surrounding the term postmodernism suggest a number of differences in the production, aesthetics, and critical backgrounds involving the making of and writing about recent fictional texts. Postmodernist texts, filmic and literary, are characterized by the coexistence of different genres, the conjunction of both high and mass culture, and the representation of the historical past. Critics like Fredric Jameson and Guy Debord have questioned the validity of such historical representations, which are said to transform historical past into sources for stylistic forms and historical crisis into commodities to be easily consumed by audiences1. By contrast to the alleged ahistoricism of postmodernist representations, as defined by Jameson, in his article Ò“Third-World Literature in the Era of Multinational Capital,” thirdworld texts have been defined as “nationalist” or “allegorical.”2
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publishDate 1997-01-01
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series Ilha do Desterro
spelling doaj-art-a920c9828f8b4fa2b89a39ef4eb66a792025-08-20T02:42:59ZengUniversidade Federal de Santa CatarinaIlha do Desterro0101-48462175-80261997-01-0132Reconstructing latin american history in walker and the mission: postmodernism and allegoryAnelise Reich Corseuil0UFSC - Florianópolis - SC The controversies surrounding the term postmodernism suggest a number of differences in the production, aesthetics, and critical backgrounds involving the making of and writing about recent fictional texts. Postmodernist texts, filmic and literary, are characterized by the coexistence of different genres, the conjunction of both high and mass culture, and the representation of the historical past. Critics like Fredric Jameson and Guy Debord have questioned the validity of such historical representations, which are said to transform historical past into sources for stylistic forms and historical crisis into commodities to be easily consumed by audiences1. By contrast to the alleged ahistoricism of postmodernist representations, as defined by Jameson, in his article Ò“Third-World Literature in the Era of Multinational Capital,” thirdworld texts have been defined as “nationalist” or “allegorical.”2 https://periodicos.ufsc.br/index.php/desterro/article/view/12064
spellingShingle Anelise Reich Corseuil
Reconstructing latin american history in walker and the mission: postmodernism and allegory
Ilha do Desterro
title Reconstructing latin american history in walker and the mission: postmodernism and allegory
title_full Reconstructing latin american history in walker and the mission: postmodernism and allegory
title_fullStr Reconstructing latin american history in walker and the mission: postmodernism and allegory
title_full_unstemmed Reconstructing latin american history in walker and the mission: postmodernism and allegory
title_short Reconstructing latin american history in walker and the mission: postmodernism and allegory
title_sort reconstructing latin american history in walker and the mission postmodernism and allegory
url https://periodicos.ufsc.br/index.php/desterro/article/view/12064
work_keys_str_mv AT anelisereichcorseuil reconstructinglatinamericanhistoryinwalkerandthemissionpostmodernismandallegory