Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition
For many years now, history museums in Quebec have integrated films in their exhibition rounds from various types: short features, sequences of archives or interactive editings. Using such filmic tools modulates the organization of the visit, allowing to contextualize and humanize the historical sub...
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Format: | Article |
Language: | deu |
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Conserveries Mémorielles
2014-09-01
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Series: | Conserveries Mémorielles |
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Online Access: | https://journals.openedition.org/cm/1973 |
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author | Sylvie Durand |
author_facet | Sylvie Durand |
author_sort | Sylvie Durand |
collection | DOAJ |
description | For many years now, history museums in Quebec have integrated films in their exhibition rounds from various types: short features, sequences of archives or interactive editings. Using such filmic tools modulates the organization of the visit, allowing to contextualize and humanize the historical subject.As a museographer I promoted the integration of films in several exhibition displays. Using a concrete example, Saint-Laurent, the "hand" of Montreal, I explain the design process that led the team to create a contemporary short film within an exhibition history. |
format | Article |
id | doaj-art-a9052858e57c419eb71d1655f341e92f |
institution | Kabale University |
issn | 1718-5556 |
language | deu |
publishDate | 2014-09-01 |
publisher | Conserveries Mémorielles |
record_format | Article |
series | Conserveries Mémorielles |
spelling | doaj-art-a9052858e57c419eb71d1655f341e92f2025-02-05T16:16:44ZdeuConserveries MémoriellesConserveries Mémorielles1718-55562014-09-01Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’expositionSylvie DurandFor many years now, history museums in Quebec have integrated films in their exhibition rounds from various types: short features, sequences of archives or interactive editings. Using such filmic tools modulates the organization of the visit, allowing to contextualize and humanize the historical subject.As a museographer I promoted the integration of films in several exhibition displays. Using a concrete example, Saint-Laurent, the "hand" of Montreal, I explain the design process that led the team to create a contemporary short film within an exhibition history.https://journals.openedition.org/cm/1973filmMuseographycreationshort filmopera |
spellingShingle | Sylvie Durand Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition Conserveries Mémorielles film Museography creation short film opera |
title | Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition |
title_full | Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition |
title_fullStr | Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition |
title_full_unstemmed | Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition |
title_short | Boulevard Saint-Laurent, la Main de Montréal et son Opéra numérique surréaliste en trois actes. Une histoire d’exposition |
title_sort | boulevard saint laurent la main de montreal et son opera numerique surrealiste en trois actes une histoire d exposition |
topic | film Museography creation short film opera |
url | https://journals.openedition.org/cm/1973 |
work_keys_str_mv | AT sylviedurand boulevardsaintlaurentlamaindemontrealetsonoperanumeriquesurrealisteentroisactesunehistoiredexposition |