A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO
Luciano Berio’s string quartet compositions are a significant post-war contribution to the medium. Glosse, the last of these pieces, is conceived as a series of short musical commentaries on an imaginary quartet. Yet, this work emerges as a very coherent one, leaving a strong impression of continui...
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| Language: | English |
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Babeș-Bolyai University
2011-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8940 |
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| author | Tudor FERARU |
| author_facet | Tudor FERARU |
| author_sort | Tudor FERARU |
| collection | DOAJ |
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Luciano Berio’s string quartet compositions are a significant post-war contribution to the medium. Glosse, the last of these pieces, is conceived as a series of short musical commentaries on an imaginary quartet. Yet, this work emerges as a very coherent one, leaving a strong impression of continuity, as well as distinctiveness of the individual ideas. Motivic and textural fragments fusion together, through the employment of the so-called “harmonic fields” technique, which is thoroughly described in the article. The music is primarily gestured and somewhat pointillist, typical of Berio’s late output. This study attempts to elucidate the pitch, harmonic, and formal structure of the piece, in relation to the primary meaning of its title, Glosse.
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| format | Article |
| id | doaj-art-a84e18d51ea34995b8205a7026eb41d1 |
| institution | Kabale University |
| issn | 1844-4369 2065-9628 |
| language | English |
| publishDate | 2011-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj-art-a84e18d51ea34995b8205a7026eb41d12025-02-11T11:01:32ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282011-06-01561A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIOTudor FERARU0Lecturer, “G. Dima” Academy of Music, Cluj-Napoca, Romania. Contact: tudorferaru@hotmail.com Luciano Berio’s string quartet compositions are a significant post-war contribution to the medium. Glosse, the last of these pieces, is conceived as a series of short musical commentaries on an imaginary quartet. Yet, this work emerges as a very coherent one, leaving a strong impression of continuity, as well as distinctiveness of the individual ideas. Motivic and textural fragments fusion together, through the employment of the so-called “harmonic fields” technique, which is thoroughly described in the article. The music is primarily gestured and somewhat pointillist, typical of Berio’s late output. This study attempts to elucidate the pitch, harmonic, and formal structure of the piece, in relation to the primary meaning of its title, Glosse. https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8940quartetBerioGlossestringsanalysisform |
| spellingShingle | Tudor FERARU A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO Studia Universitatis Babeş-Bolyai. Musica quartet Berio Glosse strings analysis form |
| title | A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO |
| title_full | A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO |
| title_fullStr | A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO |
| title_full_unstemmed | A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO |
| title_short | A TESTIMONY TO THE IMMORTALITY OF THE STRING QUARTET GENRE: GLOSSE BY LUCIANO BERIO |
| title_sort | testimony to the immortality of the string quartet genre glosse by luciano berio |
| topic | quartet Berio Glosse strings analysis form |
| url | https://studia.reviste.ubbcluj.ro/index.php/subbmusica/article/view/8940 |
| work_keys_str_mv | AT tudorferaru atestimonytotheimmortalityofthestringquartetgenreglossebylucianoberio AT tudorferaru testimonytotheimmortalityofthestringquartetgenreglossebylucianoberio |