Refresh: On the Temporalities of Digital Media ‘Re’s

This paper explores the often unremarkable and unremarked upon activity of the refreshing of digital media streams and feeds, paying particular attention to its temporalities. It draws on original empirical research with UK based digital media professionals, mindfulness practitioners and school stu...

Full description

Saved in:
Bibliographic Details
Main Author: Rebecca Coleman
Format: Article
Language:English
Published: Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ) 2020-12-01
Series:Media Theory
Subjects:
Online Access:https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/630
Tags: Add Tag
No Tags, Be the first to tag this record!
_version_ 1849470724171890688
author Rebecca Coleman
author_facet Rebecca Coleman
author_sort Rebecca Coleman
collection DOAJ
description This paper explores the often unremarkable and unremarked upon activity of the refreshing of digital media streams and feeds, paying particular attention to its temporalities. It draws on original empirical research with UK based digital media professionals, mindfulness practitioners and school students to highlight the ways in which the temporalities of refreshing are embodied and experienced. To do this, it considers what theorisations of the prefix ‘re’ might offer, arguing that the ‘re’ indicates a non-linear temporality that is, at once, creating anew, going back, being behind or after, as well as repeating, again and again. Building on these explanations of ‘the re’, the paper argues that the refresh be understood in terms of a present temporality, which is both now and ongoing, and that can be constantly moving, stuck or stilled, and skipped or reset. The paper seeks to understand these specific embodied experiences of the refresh in terms of what Raymond Williams calls a structure of feeling: a ‘temporal present’ that ‘gives the sense of a generation or period’. Taking up Williams’ explication of a structure of feeling in the 1970s through the relatively new experience of the medium of broadcast television, the paper posits that the present temporality of refreshing might be key to the composition of a contemporary structure of feeling.  
format Article
id doaj-art-a823948fe7224bb5953de869874098f9
institution Kabale University
issn 2557-826X
language English
publishDate 2020-12-01
publisher Simon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)
record_format Article
series Media Theory
spelling doaj-art-a823948fe7224bb5953de869874098f92025-08-20T03:25:04ZengSimon Dawes, Centre d’histoire culturelle des sociétés contemporaines (CHCSC), Université de Versailles Saint-Quentin-en-Yvelines (UVSQ)Media Theory2557-826X2020-12-014210.70064/mt.v4i2.630Refresh: On the Temporalities of Digital Media ‘Re’sRebecca Coleman This paper explores the often unremarkable and unremarked upon activity of the refreshing of digital media streams and feeds, paying particular attention to its temporalities. It draws on original empirical research with UK based digital media professionals, mindfulness practitioners and school students to highlight the ways in which the temporalities of refreshing are embodied and experienced. To do this, it considers what theorisations of the prefix ‘re’ might offer, arguing that the ‘re’ indicates a non-linear temporality that is, at once, creating anew, going back, being behind or after, as well as repeating, again and again. Building on these explanations of ‘the re’, the paper argues that the refresh be understood in terms of a present temporality, which is both now and ongoing, and that can be constantly moving, stuck or stilled, and skipped or reset. The paper seeks to understand these specific embodied experiences of the refresh in terms of what Raymond Williams calls a structure of feeling: a ‘temporal present’ that ‘gives the sense of a generation or period’. Taking up Williams’ explication of a structure of feeling in the 1970s through the relatively new experience of the medium of broadcast television, the paper posits that the present temporality of refreshing might be key to the composition of a contemporary structure of feeling.   https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/630Digital mediatimetemporalitythe presentrefreshstructure of feeling
spellingShingle Rebecca Coleman
Refresh: On the Temporalities of Digital Media ‘Re’s
Media Theory
Digital media
time
temporality
the present
refresh
structure of feeling
title Refresh: On the Temporalities of Digital Media ‘Re’s
title_full Refresh: On the Temporalities of Digital Media ‘Re’s
title_fullStr Refresh: On the Temporalities of Digital Media ‘Re’s
title_full_unstemmed Refresh: On the Temporalities of Digital Media ‘Re’s
title_short Refresh: On the Temporalities of Digital Media ‘Re’s
title_sort refresh on the temporalities of digital media re s
topic Digital media
time
temporality
the present
refresh
structure of feeling
url https://journalcontent.mediatheoryjournal.org/index.php/mt/article/view/630
work_keys_str_mv AT rebeccacoleman refreshonthetemporalitiesofdigitalmediares