Pasternak and Severyanin: Two Editions of Vokzal
Boris Pasternak’s early work, in particular, in the first two books of poems, Bliznets v tuchakh (Twin in the Clouds, 1914) and Poverkh bar’erov (Over the Barriers, 1916/1917), demonstrates the “traces” of Igor Severyanin’s (Igor Lotarev) style and imagery. However, in 1928, Pasternak significantly...
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| Format: | Article |
| Language: | English |
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Russian Academy of Sciences, A.M. Gorky Institute of World Literature
2024-09-01
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| Series: | Studia Litterarum |
| Subjects: | |
| Online Access: | https://studlit.ru/images/2024-9-3/11_Levina.pdf |
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| Summary: | Boris Pasternak’s early work, in particular, in the first two books of poems, Bliznets v tuchakh (Twin in the Clouds, 1914) and Poverkh bar’erov (Over the Barriers, 1916/1917), demonstrates the “traces” of Igor Severyanin’s (Igor Lotarev) style and imagery. However, in 1928, Pasternak significantly rewrote his early poems for a new book. The poet frees several poems from Severyanin’s influence but does not eliminate the elements of his older contemporary’s poetics and stylistic features. The present article shows the evolution of reminiscences from Severyanin’s texts in early and late editions of Pasternak’s Vokzal (Station, 1913, 1928). In the 1928 edition of Vokzal, Pasternak abandons some of Severyanin’s techniques presented in the 1913 edition in favor of “simplification.” Therefore, he moves away from the “artsy” vocabulary and Latin alphabet and, at the same time, adds colloquial words. Nevertheless, despite the emphasized transition to a new period in his work, Pasternak seems to retain some of his former style’s particular signs. |
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| ISSN: | 2500-4247 2541-8564 |