« Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps

Aragon lived through two wars directly, and his relationship with them was different: most of what he wrote about the First World War was written forty years later, in Le Roman inachevé, whereas the Second World War led immediately to the poems of Crève-Cœur and Les Yeux d’Elsa, and then to those of...

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Main Author: Pierre-François Moreau
Format: Article
Language:fra
Published: École Normale Supérieure de Lyon 2024-09-01
Series:Astérion
Subjects:
Online Access:https://journals.openedition.org/asterion/10969
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author Pierre-François Moreau
author_facet Pierre-François Moreau
author_sort Pierre-François Moreau
collection DOAJ
description Aragon lived through two wars directly, and his relationship with them was different: most of what he wrote about the First World War was written forty years later, in Le Roman inachevé, whereas the Second World War led immediately to the poems of Crève-Cœur and Les Yeux d’Elsa, and then to those of the Resistance. A different relationship to time, then. But precisely because of the upheavals it brought to both historical and everyday experience, the illusions it shattered and the heartbreak it caused, the war immediately confronted the poet with a diffraction of temporality: the time of boredom and forced inaction, time of death, setting in time of repetition, time of life slipping away. Occasionally, also, time of hope.
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spelling doaj-art-a5de5eb69cf44ddfac209260016e84dd2025-08-20T03:47:44ZfraÉcole Normale Supérieure de LyonAstérion1762-61102024-09-013010.4000/12b0x« Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le tempsPierre-François MoreauAragon lived through two wars directly, and his relationship with them was different: most of what he wrote about the First World War was written forty years later, in Le Roman inachevé, whereas the Second World War led immediately to the poems of Crève-Cœur and Les Yeux d’Elsa, and then to those of the Resistance. A different relationship to time, then. But precisely because of the upheavals it brought to both historical and everyday experience, the illusions it shattered and the heartbreak it caused, the war immediately confronted the poet with a diffraction of temporality: the time of boredom and forced inaction, time of death, setting in time of repetition, time of life slipping away. Occasionally, also, time of hope.https://journals.openedition.org/asterion/10969memoryinterferenceApollinaire (Guillaume)Breton (André)Maïakovski (Vladimir)death
spellingShingle Pierre-François Moreau
« Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
Astérion
memory
interference
Apollinaire (Guillaume)
Breton (André)
Maïakovski (Vladimir)
death
title « Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
title_full « Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
title_fullStr « Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
title_full_unstemmed « Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
title_short « Et la vie a passé comme ont fait les Açores ». Aragon, la guerre, le temps
title_sort et la vie a passe comme ont fait les acores aragon la guerre le temps
topic memory
interference
Apollinaire (Guillaume)
Breton (André)
Maïakovski (Vladimir)
death
url https://journals.openedition.org/asterion/10969
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