On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina
In this work, the concept of music performance in the context of the Covid-19 lockdown is assessed through a brief musicological discussion based on a public survey performed on the broad population in Argentina during the lockdown. Traditionally, listeners and performers interact in concert halls s...
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| Format: | Article |
| Language: | Bosnian |
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INSAM Institute for Contemporary Artistic Music
2020-12-01
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| Series: | INSAM |
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| Online Access: | https://insamjournal.com/index.php/ij/article/view/40 |
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| author | Magdalena Zorn Juan Manuel García |
| author_facet | Magdalena Zorn Juan Manuel García |
| author_sort | Magdalena Zorn |
| collection | DOAJ |
| description | In this work, the concept of music performance in the context of the Covid-19 lockdown is assessed through a brief musicological discussion based on a public survey performed on the broad population in Argentina during the lockdown. Traditionally, listeners and performers interact in concert halls sharing the same space and time. During the Covid-19 lockdown, listeners and performers were obliged to stay home and thus, online music consumption in the genres of Classic, Jazz, Pop and Folk became “state of the art”. With the increasing importance of performances through the internet, the interaction between listeners and performers substantially changed. Given that the context of a live performance on the internet is so different to that of one in a concert hall, we conducted a public anonymous survey during the lockdown in July and August 2020 to question listeners in the broad population of Argentina about both paradigms. With regards to the studied sample, listeners and performers seem to agree that live emissions via the internet do not suit their preferences of interaction as well as a music performance in a concert hall. |
| format | Article |
| id | doaj-art-a5b7dd610fdc446e9c987e7479256536 |
| institution | DOAJ |
| issn | 2637-1898 |
| language | Bosnian |
| publishDate | 2020-12-01 |
| publisher | INSAM Institute for Contemporary Artistic Music |
| record_format | Article |
| series | INSAM |
| spelling | doaj-art-a5b7dd610fdc446e9c987e74792565362025-08-20T03:13:30ZbosINSAM Institute for Contemporary Artistic MusicINSAM2637-18982020-12-01589107https://doi.org/10.51191/issn.2637-1898.2020.3.5.89On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in ArgentinaMagdalena Zorn0https://orcid.org/0000-0001-9729-1710Juan Manuel García1Institut für Musikwissenschaft, Ludwig-Maximilians-Universität München, Munich, GermanyExpertcom Argentina, Junín (BA), ArgentinaIn this work, the concept of music performance in the context of the Covid-19 lockdown is assessed through a brief musicological discussion based on a public survey performed on the broad population in Argentina during the lockdown. Traditionally, listeners and performers interact in concert halls sharing the same space and time. During the Covid-19 lockdown, listeners and performers were obliged to stay home and thus, online music consumption in the genres of Classic, Jazz, Pop and Folk became “state of the art”. With the increasing importance of performances through the internet, the interaction between listeners and performers substantially changed. Given that the context of a live performance on the internet is so different to that of one in a concert hall, we conducted a public anonymous survey during the lockdown in July and August 2020 to question listeners in the broad population of Argentina about both paradigms. With regards to the studied sample, listeners and performers seem to agree that live emissions via the internet do not suit their preferences of interaction as well as a music performance in a concert hall.https://insamjournal.com/index.php/ij/article/view/40argentinaonline musiclive performancecovid-19 lockdowncommunity experience |
| spellingShingle | Magdalena Zorn Juan Manuel García On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina INSAM argentina online music live performance covid-19 lockdown community experience |
| title | On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina |
| title_full | On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina |
| title_fullStr | On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina |
| title_full_unstemmed | On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina |
| title_short | On the concept of ‘music performance’ in the context of the COVID-19 lockdown: A brief musicological discussion based on a public survey among listeners in Argentina |
| title_sort | on the concept of music performance in the context of the covid 19 lockdown a brief musicological discussion based on a public survey among listeners in argentina |
| topic | argentina online music live performance covid-19 lockdown community experience |
| url | https://insamjournal.com/index.php/ij/article/view/40 |
| work_keys_str_mv | AT magdalenazorn ontheconceptofmusicperformanceinthecontextofthecovid19lockdownabriefmusicologicaldiscussionbasedonapublicsurveyamonglistenersinargentina AT juanmanuelgarcia ontheconceptofmusicperformanceinthecontextofthecovid19lockdownabriefmusicologicaldiscussionbasedonapublicsurveyamonglistenersinargentina |