Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation

Prevailing political and popular narratives often treat the issue of trans death as an inevitability and reduce complex stories of trans life to their endings. This paper investigates the transformative potential of creative forms of resistance—specifically a selection of Canadian poetry, personal e...

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Main Author: Devon Harvey
Format: Article
Language:English
Published: MDPI AG 2025-01-01
Series:Humanities
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Online Access:https://www.mdpi.com/2076-0787/14/1/4
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author Devon Harvey
author_facet Devon Harvey
author_sort Devon Harvey
collection DOAJ
description Prevailing political and popular narratives often treat the issue of trans death as an inevitability and reduce complex stories of trans life to their endings. This paper investigates the transformative potential of creative forms of resistance—specifically a selection of Canadian poetry, personal essays, and comics—and how their artistic affordances engage with transfeminism as an approach to narratives of trans existence. Rooted in Canadian author Kai Cheng Thom’s reckoning with the shortcomings of trans-exclusionary feminist thought, and informed by Chinua Achebe’s conceptualization of re-storying, this article explores how <i>I Hope We Choose Love</i> and <i>Falling Back in Love with Being Human</i> by Kai Cheng Thom, <i>Death Threat</i> by Canadian creatives Vivek Shraya and Ness Lee, and comics from <i>Assigned Male</i> by trans activist and Canadian comic artist Sophie Labelle re-story “necessary” trans death to orient queer death spaces around a trans-for-trans (t4t) praxis of narrativization. Addressing the (inter)disciplinary possibilities of trans-inclusive feminism and comics studies, this article celebrates how these texts disavow and re-story the “Good” Trans Character, who dies to satisfy transmisogynistic ideologies, and theorizes the T4t Dead Trans Character, who dies to reclaim instances of trans death and recodify trans personhood as a site of hope, agency, and self-determination. In their re-storying, these texts recognize the transformative potential of trans existence and echo Thom in their urging of trans-inclusive feminism to renounce narratives of disposability and invest in the dignity of all human life.
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spelling doaj-art-a59dab49f2834f51b23d5d023ff731a82025-01-24T13:34:49ZengMDPI AGHumanities2076-07872025-01-01141410.3390/h14010004Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose TransformationDevon Harvey0Department of English Literature & Creative Writing, Faculty of Arts and Science, Queen’s University, Kingston, ON K7L 3N6, CanadaPrevailing political and popular narratives often treat the issue of trans death as an inevitability and reduce complex stories of trans life to their endings. This paper investigates the transformative potential of creative forms of resistance—specifically a selection of Canadian poetry, personal essays, and comics—and how their artistic affordances engage with transfeminism as an approach to narratives of trans existence. Rooted in Canadian author Kai Cheng Thom’s reckoning with the shortcomings of trans-exclusionary feminist thought, and informed by Chinua Achebe’s conceptualization of re-storying, this article explores how <i>I Hope We Choose Love</i> and <i>Falling Back in Love with Being Human</i> by Kai Cheng Thom, <i>Death Threat</i> by Canadian creatives Vivek Shraya and Ness Lee, and comics from <i>Assigned Male</i> by trans activist and Canadian comic artist Sophie Labelle re-story “necessary” trans death to orient queer death spaces around a trans-for-trans (t4t) praxis of narrativization. Addressing the (inter)disciplinary possibilities of trans-inclusive feminism and comics studies, this article celebrates how these texts disavow and re-story the “Good” Trans Character, who dies to satisfy transmisogynistic ideologies, and theorizes the T4t Dead Trans Character, who dies to reclaim instances of trans death and recodify trans personhood as a site of hope, agency, and self-determination. In their re-storying, these texts recognize the transformative potential of trans existence and echo Thom in their urging of trans-inclusive feminism to renounce narratives of disposability and invest in the dignity of all human life.https://www.mdpi.com/2076-0787/14/1/4transfeminismtrans-for-trans (t4t)comics studies
spellingShingle Devon Harvey
Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
Humanities
transfeminism
trans-for-trans (t4t)
comics studies
title Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
title_full Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
title_fullStr Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
title_full_unstemmed Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
title_short Falling Back in Love with Trans-Inclusive Feminism: Canadian Creative Artists Re-Story Death and Choose Transformation
title_sort falling back in love with trans inclusive feminism canadian creative artists re story death and choose transformation
topic transfeminism
trans-for-trans (t4t)
comics studies
url https://www.mdpi.com/2076-0787/14/1/4
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