“A / music / at rest”: Late Duncan and Objectivist Poetics

Throughout Robert Duncan’s poetic life, Louis Zukofsky represented an important challenge, an admired mentor who in so many respects espoused modernist principles directly opposed to Duncan’s own self-proclaimed “romantic” propensities. However, it is in the late Ground Work period that Duncan takes...

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Main Author: Jeffrey Twitchell-Waas
Format: Article
Language:English
Published: Centre de Recherche "Texte et Critique de Texte" 2020-12-01
Series:Sillages Critiques
Subjects:
Online Access:https://journals.openedition.org/sillagescritiques/9962
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author Jeffrey Twitchell-Waas
author_facet Jeffrey Twitchell-Waas
author_sort Jeffrey Twitchell-Waas
collection DOAJ
description Throughout Robert Duncan’s poetic life, Louis Zukofsky represented an important challenge, an admired mentor who in so many respects espoused modernist principles directly opposed to Duncan’s own self-proclaimed “romantic” propensities. However, it is in the late Ground Work period that Duncan takes Zukofsky as something more than a disciplined mentor and attempts to internalize Zukofsky as a troubling but generative presence in his work. This article offers both close readings of specific poems alongside broader comparative discussion of their respective poetic principles to highlight the significance of Zukofsky in Duncan’s late poetry as a critically antagonistic counter to Duncan’s more self-indulgent expansiveness, as well as offering a model for a looser conception of the long poem that defines itself in process rather than driven by the arguments or mythopoetic structures that Duncan found so seductive even while resisting them.
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spelling doaj-art-a54991a21b4f4a11823e60c08b158f402025-01-30T13:47:25ZengCentre de Recherche "Texte et Critique de Texte"Sillages Critiques1272-38191969-63022020-12-012910.4000/sillagescritiques.9962“A / music / at rest”: Late Duncan and Objectivist PoeticsJeffrey Twitchell-WaasThroughout Robert Duncan’s poetic life, Louis Zukofsky represented an important challenge, an admired mentor who in so many respects espoused modernist principles directly opposed to Duncan’s own self-proclaimed “romantic” propensities. However, it is in the late Ground Work period that Duncan takes Zukofsky as something more than a disciplined mentor and attempts to internalize Zukofsky as a troubling but generative presence in his work. This article offers both close readings of specific poems alongside broader comparative discussion of their respective poetic principles to highlight the significance of Zukofsky in Duncan’s late poetry as a critically antagonistic counter to Duncan’s more self-indulgent expansiveness, as well as offering a model for a looser conception of the long poem that defines itself in process rather than driven by the arguments or mythopoetic structures that Duncan found so seductive even while resisting them.https://journals.openedition.org/sillagescritiques/9962Louis ZukofskyObjectivismNew American poetrymythopoeticspoetic influence
spellingShingle Jeffrey Twitchell-Waas
“A / music / at rest”: Late Duncan and Objectivist Poetics
Sillages Critiques
Louis Zukofsky
Objectivism
New American poetry
mythopoetics
poetic influence
title “A / music / at rest”: Late Duncan and Objectivist Poetics
title_full “A / music / at rest”: Late Duncan and Objectivist Poetics
title_fullStr “A / music / at rest”: Late Duncan and Objectivist Poetics
title_full_unstemmed “A / music / at rest”: Late Duncan and Objectivist Poetics
title_short “A / music / at rest”: Late Duncan and Objectivist Poetics
title_sort a music at rest late duncan and objectivist poetics
topic Louis Zukofsky
Objectivism
New American poetry
mythopoetics
poetic influence
url https://journals.openedition.org/sillagescritiques/9962
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