Narrativités 2.0 : fragmentation-organisation d’un métadiscours

Fans’ analysis of their creative practices and of writing generally, academics’ capture of this narrative and discursive material represent a heterogeneous collection of meta-discourses. How is this circulation of « meta » narratives and discourses expressing a reflexive thinking about writing? We f...

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Bibliographic Details
Main Author: Céline Masoni Lacroix
Format: Article
Language:fra
Published: Laboratoire Interdisciplinaire Récits Cultures Et Sociétés 2017-12-01
Series:Cahiers de Narratologie
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Online Access:https://journals.openedition.org/narratologie/7781
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Summary:Fans’ analysis of their creative practices and of writing generally, academics’ capture of this narrative and discursive material represent a heterogeneous collection of meta-discourses. How is this circulation of « meta » narratives and discourses expressing a reflexive thinking about writing? We focus on a discursive spread as a fragmentation-organization process, which does not bring into conflict fans and academics’ metanarratives and metadiscourses, but apprehends a binding dichotomy or a co-extensive principle (Masoni Lacroix & Cailler, 2016), which expose this multiplicity. We stress on an emancipating-(re)normalizing movement of writing, named met@ttachment, as a constitutive principle of fannish narrativities, having an effect on scientific writing.
ISSN:0993-8516
1765-307X