Rewriting the Future: Tessa Boffin's The Knight's Move

This article focuses on the practice of the late photographer Tessa Boffin. I situate her work in the context of British art and politics as they were at the time of "queer" being reclaimed from a term of abuse in the late 1980s and early 1990s, and explore how she used photography...

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Main Author: Flora Dunster
Format: Article
Language:English
Published: Yale University 2025-07-01
Series:British Art Studies
Online Access:https://britishartstudies.ac.uk/issues/27/tessa-boffins-the-knights-move/
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author Flora Dunster
author_facet Flora Dunster
author_sort Flora Dunster
collection DOAJ
description This article focuses on the practice of the late photographer Tessa Boffin. I situate her work in the context of British art and politics as they were at the time of "queer" being reclaimed from a term of abuse in the late 1980s and early 1990s, and explore how she used photography to visualise what "queer" could mean from a lesbian perspective. The article centres on an analysis of Boffin's series *The Knight's Move* (1990), in which she rewrites the history of her queer present to include a lesbian past. While these photographs can be viewed as a precedent for an intersectional and exploratory understanding of queerness, I suggest that "the knight's move" can also work beyond the series itself. I locate it as a strategy for bringing "queer" and "lesbian" together in our present, re-figuring both positions in relation to each other and in resistance to the gatekeeping around the meaning of each word. I argue for the knight's move as a device that allows us to situate photographs not as historical remnants but as a vital site of community formation, thereby offering a way of working *with* Boffin's oeuvre rather than *on* it.
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spelling doaj-art-a42aacd792ef411f9d9843d30693e75c2025-08-20T03:14:05ZengYale UniversityBritish Art Studies2058-54622025-07-012710.17658/issn.2058-5462/issue-27/fdunsterRewriting the Future: Tessa Boffin's The Knight's MoveFlora Dunster0https://orcid.org/0009-0003-9958-6362Central Saint Martins This article focuses on the practice of the late photographer Tessa Boffin. I situate her work in the context of British art and politics as they were at the time of "queer" being reclaimed from a term of abuse in the late 1980s and early 1990s, and explore how she used photography to visualise what "queer" could mean from a lesbian perspective. The article centres on an analysis of Boffin's series *The Knight's Move* (1990), in which she rewrites the history of her queer present to include a lesbian past. While these photographs can be viewed as a precedent for an intersectional and exploratory understanding of queerness, I suggest that "the knight's move" can also work beyond the series itself. I locate it as a strategy for bringing "queer" and "lesbian" together in our present, re-figuring both positions in relation to each other and in resistance to the gatekeeping around the meaning of each word. I argue for the knight's move as a device that allows us to situate photographs not as historical remnants but as a vital site of community formation, thereby offering a way of working *with* Boffin's oeuvre rather than *on* it. https://britishartstudies.ac.uk/issues/27/tessa-boffins-the-knights-move/
spellingShingle Flora Dunster
Rewriting the Future: Tessa Boffin's The Knight's Move
British Art Studies
title Rewriting the Future: Tessa Boffin's The Knight's Move
title_full Rewriting the Future: Tessa Boffin's The Knight's Move
title_fullStr Rewriting the Future: Tessa Boffin's The Knight's Move
title_full_unstemmed Rewriting the Future: Tessa Boffin's The Knight's Move
title_short Rewriting the Future: Tessa Boffin's The Knight's Move
title_sort rewriting the future tessa boffin s the knight s move
url https://britishartstudies.ac.uk/issues/27/tessa-boffins-the-knights-move/
work_keys_str_mv AT floradunster rewritingthefuturetessaboffinstheknightsmove