Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925)
The analytical object of the present article is to identify actions for transmission of photographic images in the nineteenth and twentieth centuries. The central hypothesis is that photographs are impregnated by cultural modernity, which affects the representation of persons and the passage from th...
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| Format: | Article |
| Language: | English |
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Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine
2015-12-01
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| Series: | L'Ordinaire des Amériques |
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| Online Access: | https://journals.openedition.org/orda/2310 |
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| _version_ | 1850024619007803392 |
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| author | Gonzalo Leiva Quijada |
| author_facet | Gonzalo Leiva Quijada |
| author_sort | Gonzalo Leiva Quijada |
| collection | DOAJ |
| description | The analytical object of the present article is to identify actions for transmission of photographic images in the nineteenth and twentieth centuries. The central hypothesis is that photographs are impregnated by cultural modernity, which affects the representation of persons and the passage from the private to the public sphere. This approach involves moral, cultural and media aspects that relocate the role of photography in a country like Chile. |
| format | Article |
| id | doaj-art-a388ca195cb94e10aca408db0aef3c09 |
| institution | DOAJ |
| issn | 2273-0095 |
| language | English |
| publishDate | 2015-12-01 |
| publisher | Institut Pluridisciplinaire pour les Etudes sur l'Amérique Latine |
| record_format | Article |
| series | L'Ordinaire des Amériques |
| spelling | doaj-art-a388ca195cb94e10aca408db0aef3c092025-08-20T03:01:03ZengInstitut Pluridisciplinaire pour les Etudes sur l'Amérique LatineL'Ordinaire des Amériques2273-00952015-12-0121910.4000/orda.2310Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925)Gonzalo Leiva QuijadaThe analytical object of the present article is to identify actions for transmission of photographic images in the nineteenth and twentieth centuries. The central hypothesis is that photographs are impregnated by cultural modernity, which affects the representation of persons and the passage from the private to the public sphere. This approach involves moral, cultural and media aspects that relocate the role of photography in a country like Chile.https://journals.openedition.org/orda/2310representationphotographsmodernityreceptionperiphery |
| spellingShingle | Gonzalo Leiva Quijada Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) L'Ordinaire des Amériques representation photographs modernity reception periphery |
| title | Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) |
| title_full | Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) |
| title_fullStr | Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) |
| title_full_unstemmed | Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) |
| title_short | Las transformaciones modernas de la fotografía en Chile: Visibilizados/invisibilizados (1840-1925) |
| title_sort | las transformaciones modernas de la fotografia en chile visibilizados invisibilizados 1840 1925 |
| topic | representation photographs modernity reception periphery |
| url | https://journals.openedition.org/orda/2310 |
| work_keys_str_mv | AT gonzaloleivaquijada lastransformacionesmodernasdelafotografiaenchilevisibilizadosinvisibilizados18401925 |